A Softer World
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A Softer World: 543
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WTF?: Creepy Robotic Performance Piece
[Gadgets] (Geekologie - Gadgets, Gizmos, and Awesome)This is a video of some creepy-ass robotic performance piece. And it just so happens to contain two of my least favorite things in the whole entire world: robots and crying babies. It's terribly painful to watch, especially considering the bot comes out with guns blazing. Thankfully, the piece does have a happy ending if you can make it that far. Which, honestly, I never can. You start massaging my lower back and it's all over. The softer side of Japanese WTFery [wtfjapanseriously] Thanks ...
This is a video of some creepy-ass robotic performance piece. And it just so happens to contain two of my least favorite things in the whole entire world: robots and crying babies. It's terribly painful to watch, especially considering the bot comes out with guns blazing. Thankfully, the piece does have a happy ending if you can make it that far. Which, honestly, I never can. You start massaging my lower back and it's all over. The softer side of Japanese WTFery [wtfjapanseriously] Thanks to Ryan and Kawaii Bakemono, who would have dove out of the box seats and John Wilkes Booth'ed that bad mammer jammer. -
STRANGE BUT TRUE- Dirty dogs: Actually, your mouth has more bacteria
[Virginia] (Readthehook.com - Current Articles)DRAWING BY DEBORAH DERR McCLINTOCKQ. Is it true there are more germs in the human mouth than around a dog's anus? –R. T. Tin A. The usual comparison is between the human mouth and dog's mouth, not the dog's other end, says Dr. Joseph Zambon of the University of Buffalo School of Dental Medicine. Some 200-300 different bacterial species may hang out in the human oral cavity, plus viruses and other microorganisms. Certainly, people with diseased gums have more bacteria and more types of ...
Q. Is it true there are more germs in the human mouth than around a dog's anus? –R. T. Tin
DRAWING BY DEBORAH DERR McCLINTOCKA. The usual comparison is between the human mouth and dog's mouth, not the dog's other end, says Dr. Joseph Zambon of the University of Buffalo School of Dental Medicine.
Some 200-300 different bacterial species may hang out in the human oral cavity, plus viruses and other microorganisms. Certainly, people with diseased gums have more bacteria and more types of bacteria than dogs with healthy mouths.
"But you can make the other, more colorful comparison as well. There are higher concentrations of bacteria in human dental plaque than in a dog's feces." So you might extend this to include the dog's alimentary exit point as well.
Q. Few people survive falls from very great heights. When they do, what may be the physics at work? –I. Carus
A. The victims reach a "terminal speed," where air drag offsets acceleration and falling speed maxes out, at maybe 100-200 miles per hour, says Jearl Walker in The Flying Circus of Physics. The other critical factor is how they land. A "hard" collision may last for only 0.001 to 0.01 second, with the force certain to be lethal. But for a "softer" collision (taking longer to stop), survival becomes possible:
1. February 1955: A paratrooper fell 370 meters (1,200 feet) from a C-119 airplane without managing to deploy his parachute. He landed on his back in soft snow, creating a crater a meter deep. Air-evacuated to a hospital, he had only minor bone fractures and a few bruises.
2. World War II: I.M. Chissov, a lieutenant in the Soviet Air Force, bailed out when attacked by a dozen Messerschmitts. To avoid being a "sitting duck," he delayed deployment of his parachute. Unfortunately, he lost consciousness during the seven-kilometer fall (over four miles). Fortunately, he hit a snowy ravine, and although injured, was back in uniform within four months.
3. More bizarre was Henri LaMothe's 1970s stunt of diving from 12 meters (39 feet) and belly-flopping into a pool of water barely 30 centimeters deep (about 12 inches), hitting with a force about 70 times his body weight. Apparently this amount of cushioning water was enough. ("Don't try this," warns Walker. "One foolish guy who did ended up paralyzed from the neck down.")
Q. What's a major league baseball pitcher's secret to throwing a sharp-breaking curve ball? –C. Young
A. Oddly, this classic weapon may have more to do with the batter himself than is commonly suspected. A spinning baseball actually moves in a smoothly curving trajectory but seems to change directions suddenly.
Psychologist Arthur Shapiro of Bucknell University offers this: Viewers who look directly at a pitched baseball perceive it correctly as moving downwards under the influence of gravity, while those viewing it out of the corner of their eye perceive it to be moving at an angle.
Perhaps when we use our peripheral vision system, the brain uses internal motion cues to interpret overall direction, so the ball appears to move to the side. In other words, the pitch starts off in the center of a batter's foveal vision but then overlaps the peripheral system as the ball draws closer and closer, forcing the batter to shift his visual attention.
"This transition may be why such balls appear to change direction suddenly," Shapiro adds. Interestingly, the U.S. Vision Sciences Society has voted the curve ball as "Visual Illusion of the Year" for 2009.
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Send Strange questions to brothers Bill and Rich at strangetrue@cs.com.
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DOWNLOAD: Free Phoenix Live Album
[Music] (Spin Magazine Online -)After receiving much love from audiences over the past year, and winning a Grammy, French pop band Phoenix is giving something back: a free live album is now available for download on their website. Recorded earlier this month, Live in Sydney includes performances of eight tracks from 2009's Wolfgang Amadeus Phoenix, which landed at No. 3 on SPIN's 40 Albums of the Year list. The free live album serves as a primer for yet another North American tour for the Parisian quartet, which kicks off ...
After receiving much love from audiences over the past year, and winning a Grammy, French pop band Phoenix is giving something back: a free live album is now available for download on their website.
Recorded earlier this month, Live in Sydney includes performances of eight tracks from 2009's Wolfgang Amadeus Phoenix, which landed at No. 3 on SPIN's 40 Albums of the Year list.
The free live album serves as a primer for yet another North American tour for the Parisian quartet, which kicks off April 17 in Santa Cruz, California, stops at Coachella the following day, and wraps up June 13 at this year's Bonnaroo Music & Arts Festival in Manchester, Tennessee, where their worldwide touring for Wolfgang actually began in June 2009.
Check out the group's complete tour schedule here.
While their shows this Spring will be full-blown, full-band affairs, Phoenix has a softer side, too, which they displayed during a stripped down performance at SPIN last December.
Download Phoenix's album here >>
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Fantastic Mr. Fox (Blu-ray) Official AVSForum Review
[HDTV, Audio] (AVS Forum)The Review at a Glance: (max score: 5 ) Film: Extras: Audio/Video total rating: ( Max score: 100 ) 85 Studio and Year: 20th Century Fox - 2009 MPAA Rating: PG Feature running time: 87 minutes Genre: Animtion/Family Disc Format: BD-50 Encoding: AVC (MPEG-4) Video Aspect: 1.85:1 Resolution: 1080p/24 Audio Format(s): English DTS-HD 5.1 Master Audio, Spanish/French/Portuguese Dolby Digital 5.1 Subtitles:English, English SDH, Spanish, Portuguese, French, Cantonese, Mandarin St ...
The Review at a Glance: (max score: 5 ) Film:
Extras:
Audio/Video total rating:
( Max score: 100 )
85
Studio and Year: 20th Century Fox - 2009 MPAA Rating: PG Feature running time: 87 minutes Genre: Animtion/Family Disc Format: BD-50 Encoding: AVC (MPEG-4) Video Aspect: 1.85:1 Resolution: 1080p/24
Audio Format(s): English DTS-HD 5.1 Master Audio, Spanish/French/Portuguese Dolby Digital 5.1 Subtitles:English, English SDH, Spanish, Portuguese, French, Cantonese, Mandarin Starring: Voices of: George Clooney, Meryl Streep, Jason Schwartzman, Willem Dafoe, Michael Gambon, Owen Wilson, Bill Murray Directed by: Wes Anderson Music by: Alexandre Desplat Written by: Wes Anderson & Noah Baumbach - Adapted from the book by Roald Dahl Region Code: 1 Blu-ray Disc release Date: March 23, 2010
"And so it begins"
Film Synopsis:
In there-imagined classic family tale, Mr. and Mrs. Fox live a happy home life with their eccentric son Ash (Jason Schwartzman) and visiting nephew Kristopherson. That is until Mr. Fox slips into his sneaky, old ways and plots the greatest heist the animal world has ever seen. When mean old farmers Boggis, Bunce and Bean join forces to surround Mr. Fox and his family, they don’t realize they are not dealing with any old fox – it’s Fantastic Mr. Fox and he has a fantastic master plan to save the day!
My Take:
Adapted from the beloved children’s book by of the same name by Roald Dahl Fantastic Mr. Fox follows the misadventures of Mr. Fox, his wife Felicity, their son Ash, and nephew Kristofferson after Mr. Fox’s pilfering from three local farmers sets off a fervent search for him that ultimately comes to affect not only his family but many of the animals that commune in the area. The story begins with Mr. Fox (George Clooney) leading his wife Felicity (Streep) on a raiding mission of a squab farm when the two become caged in a trap set by the farm’s owner. Felicity reveals to Fox that she is pregnant and pleads with him to find a safer job should they escape. Two years later, the Foxes and their sullen son Ash (Jason Schwartzman), are living in a hole. Fox, now a newspaper columnist, decides to move the family into a better home in the base of a tree, ignoring the warnings of his lawyer Badger (Bill Murray). The tree is adjacent to three large farming facilities run by Walter Boggis, Nathan Bunce, and Franklin Bean. Soon after the Foxes move in, Felicity's nephew Kristofferson comes to live with them after his father has fallen ill. Ash finds this situation intolerable since seemingly everyone, including his own father, mentions the fact that his easy going and meditating cousin, is apparently superior to him in every way imaginable. Living so close to the three farms Fox finds temptation to great, and devises a master plan to steal from each of them but keeps it from Felicity. He enlists the help of an opossum, Kylie, the local maintenance guy and resident worrywart. The plan successfully comes off in three stages however the farmers, angered by the theft, call a meeting and come with up their own plan, which is to get rid of Mr. Fox by digging him out. As the farmers onslaught begins, the Fox’s tunnel their way underground and escape. In the process they run into Badger, and many of the other local animal residents whose homes have also been destroyed during the siege.
As the animals begin to fear starvation, Fox leads a digging expedition to the three nearby farms, robbing them clean of Boggis' chickens, Bunce's ducks and geese, and Bean's turkeys, apples, and alcoholic cider. In the meantime Ash and Kristofferson come up with the idea of breaking into Bean's farm, intending to reclaim Fox's tail (which had been shot off by Bean during the farmers initial attempt to kill Mr. Fox), only to find that Bean has taken to wearing it as a necktie. When they are interrupted by the arrival of Bean's wife, Ash escapes but Kristofferson is captured. The animals are forced to retreat into the sewers when the farmers flood their hiding place with cider, and Fox learns that the farmers plan to use Kristofferson as bait to lure him into an ambush. Mr. Fox will have to devise a master plan capable of saving the day and proving he is indeed Fantastic!
I enjoyed this film and loved the stop motion animation which truly is an amazing art form. Director Wes Anderson’s passion for the book, its author and the story is clearly evident. I think he captures the spirit of both very well by conveying it using a medium that helps to stimulate the imagination. It features a terrific cast of Hollywood notables headlined by George Clooney and Meryl Streep and includes contributions by Owen Wilson, Michael Gambon, Bill Murray, and Willem Dafoe. The film was nominated for Academy Awards for Best Animated Feature and Best Original Score, was a nominated for 2010 Critics Choice Awards for Best Animated Feature, and a Golden Globe Award for Best Animated Feature Film[23]. It ultimately lost all the nominations to Disney’s Up. Fantastic Mr. Fox makes for great family entertainment and looks splendid in high definition on Blu-ray from Fox.
Parental Guide:
The rating is for action, smoking, and slang humor.
AUDIO/VIDEO - By The Numbers: REFERENCE = 92-100 / EXCELLENT = 83-91 / GOOD = 74-82 / AVERAGE = 65-73 / BELOW AVERAGE = under 65 **My audio/video ratings are based upon a comparative made against other high definition media/blu-ray disc.** (Each rating is worth 4 points with a max of 5 per category)Audio: 80
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Dynamics:
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Surround Sound presentation:
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Clarity/Detail:
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Dialogue Reproduction:
Video: 90
(Each rating is worth 4 points with a max of 5 per category)-
Resolution/Clarity:
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Black level/Shadow detail:
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Color reproduction:
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Compression:
Fantastic Mr. Fox comes to Blu-ray from Fox featuring 1080p AVC encoded video that has an average bitrate of 20 mbps and lossless DTS-HD 5.1 Master Audio sound that has an average bitrate of 2.6 mbps.
This is an excellent video presentation that boasts visually enticing imagery that looks great in high definition. Fantastic Mr. Fox on Blu-ray offers beautifully crafted stop motion animation that exhibits eye catching resolution and refined clarity. The shading and lighting used results in a dimensionally strong presentation that doesn’t exhibit dynamic contrast or deep penetrating hues. Colors utilize a limited and softer palette that is most decidedly a stylistic choice that mates well with the source in a satisfying way. Golden splashed highlights, sepia tones and beiges make up the majority of the color base with various stages of gray is used in various stages in both objects and backgrounds. Blacks are punchy and appear deep when onscreen with mixed content. Detail in shady areas and darkly lit backgrounds are excellent which enhances visual perspective in dim lighting. This is a pristine and visually engaging high definition presentation that looked amazing on my large screen. The lossless DTS-HD 5.1 Master Audio soundtrack is solid as well. Dynamics are defining without being strident or edgy. Dialogue is rendered with refined clarity and revealing tonal character that has deep room penetration. The presentation has a frontal perspective with a diffused soundstage and well articulated detail. There is occasional use of discrete and spatial surround activity that adds depth to environmental sounds and provides front channel extension that broadens the sound field. Bass response wasn’t room filling but it appropriately supported the source elements and provided a tight, occasionally tactile low end.
Bonus Features:
- (HD) Making Mr. Fox fantastic (5 segments totaling 43 minutes) :
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- The look of Mr. Fox
- From script to screen
- The puppet makers
- Still life (puppet animation)
- The cast
- Bill (Murray) and his Badger
- (HD) A beginner’s guide to Whack-bat
- (HD) Fantastic Mr. Fox: The world or Roald Dahl – 3 minute featurette
- (HD) Theatrical trailer
- Bonus DVD of Fantastic Mr. Fox
- Bonus Disc – Digital Copy of Mr. Fox
Final Thoughts:
Wes Anderson’s film adaptation of Roald Dahl’s beloved children’s book Fantastic Mr. Fox successfully draws fans into the wondrous world of his characters and brings them to life using beautifully crafted stop-motion animation that makes for a visually stimulating experience in high definition. The bonus supplements will be more appealing to adult fans than kids as there is little offered for younger viewers to be enticed by. As always I appreciate the inclusion of both a digital copy and standard DVD versions of the film. Fantastic Mr. Fox is good family entertainment that presents extremely well in this Blu-ray offering from Fox. Recommended.
Ralph Potts AVS Forum Blu-ray Reviews
Reference Review System: JVC DLA-RS20 1080p High Definition Front Projector (Calibrated by Jeff Meier) Stewart Filmscreen - Studiotek 130 G3 100” 16x9 Screen Anthem AVM50v THX Ultra 2 Preamp/Video Processor Sherbourn Technologies - 7/200 Seven Channel Amplifier Oppo BDP-83 Universal disc/Blu-ray Player (HDMI Audio/Video) Toshiba HD-XA2 HD DVD Player (HDMI Audio/Video) Sony Playstation 3 Blu-ray disc Player (HDMI Audio/Video) Oppo 970HD universal disc DVD Player (480i HDMI) Philips TSU9400 Pro Series Touch Panel Remote Control Canton "Ergo" Series speakers Axiom Audio QS8 Quadpolar speakers SV Sound PB-13 Ultra (Rosenut finish) APC AV S15BLK Power Conditioner/Surge Protector Furman SPR-20i Stable Power Regulator Wireworld, VizionWare, Audioquest, Best Deal Cables - Audio/Video/Speaker Cabling Cool Components - CP-CP102 cooling package -
Dynamics:
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Italian Almonds: Harder, Better, Faster, Stronger
[The Atlantic] (Food :: The Atlantic)mynameisharsha/flickr I've kind of always hated the taste of almond extract. When I tried Pizzuta almonds for the first time it immediately became clear to me why—the Pizzutas are the flavor that almond extract is supposed to supplant. But it fails because like so many faux foods, the extract just doesn't quite "get it." I think these do. If you like almonds at all, it's worth tasting these. They're more intense, more almondy, more exotic than any other almond I've ever eaten. It w ...
mynameisharsha/flickr
I've kind of always hated the taste of almond extract. When I tried Pizzuta almonds for the first time it immediately became clear to me why—the Pizzutas are the flavor that almond extract is supposed to supplant. But it fails because like so many faux foods, the extract just doesn't quite "get it." I think these do. If you like almonds at all, it's worth tasting these. They're more intense, more almondy, more exotic than any other almond I've ever eaten.
It was sitting with Francesco Padova and Frank (Carollo, managing partner from the Zingerman's Bakehouse whose father's family coincidentally came here from Sicily two generations back) that I finally got clear on some of the basics of the almond world and what makes one different than the next. Francesco would know. His family, he told me, "has been in the food for ... forever." In a nutshell (sorry, couldn't resist), the story is that while almost all California almonds are soft-shelled and a fair bit of European almonds are semi-hard-shelled, the best tasting, most intensely flavored almonds are more often than not of the hard-shell varieties. There are very few areas in which these difficult-to-grow but very tasty hard-shelled almonds can still be had, but one of them is the area in which Francesco's family's farm is to be found, the eastern part of Sicily.
"In our area," Francesco told me, "80 percent of product is still the hard shell." "The difference is a 'natural packaging,'" Francesco put forward with a smile. "The more impenetrable is the shell, the more protected is the seed," he said. "Usually the shell determines the yield. The harder the shell the lower the yield. But also the higher the flavor."
How big is the yield gap? Big. In California the nut makes up about 60 percent of the whole almond. In Sicily, the yield is 18 to 22 percent. That got my attention—with one third the yield for Sicilian almonds, it starts to make sense why the cost is so much higher. "The content of essential oils is different too," Francesco went on. "The softer the shell, the lower the oils. But oils bring flavor. So for baking, when the oil is lower you get a less flaky pastry." This all makes perfect sense now that Francesco has told me, but not being an almond aficionado I just really hadn't given it much thought up until now.
The jewel in the Padova family's almond crown is the varietal known as the Pizzuta. "It's the signature of my family's district," Francesco said with obvious pride. "It's a very delicate tree. It's afraid of cold so it grows naturally near to the coast. You will never find the Pizzuta tree far from the sea. It's the most noble almond, the richest in vitamins and essential oils, and the flavor is milky." All this was borne out in tasting. The almonds really are exceptional. I will pretty safely say that the flavor is inversely related to the yields; while the latter are three times higher in California, the flavor of the Pizzutas from Sicily is a solid three times more interesting. Four days of sun drying (in the shell) intensifies their flavor and reduces their weight further still.
Tasting the Padova family's Pizzutas gave me a whole new avenue of interest into almonds. Like I said, it made me realize what the people who make commercial almond extract were going after when they "invented" it; it's an effort to replicate the unique, almost bitter and not quite sweet subtleties of these sorts of old-style hard-shelled almonds. And ironically, I can see that all the flavor components I don't like in almond extract are actually present in the Pizzuta as well, but here they're outstanding instead of off-putting. In the Pizzuta, the flavors are simply softer, more sensual, more rounded, more real, sort of ... mellifluous and harmonious.
Down the road, I'm sure we'll be working on some special Sicilian almond pastries out at the Bakehouse, but in the moment the main thing is that we've got these almonds on hand so you can have them for your own eating, baking, salads, and sauces. They're great to put out with a bit of cheese or some dried fruit. Good winter snacking, I think. And while it's safe to say that a small bowl of almonds isn't going to alter the balance of the universe or fix up the economy, they are really quite darned delicious, a gift of great culinary value to anyone in your life who's kind of nuts over nuts in particular, traditional foods, and great, unique, authentic flavors.

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What am I thinking? Here’s where you can find out – Eric Ligman online
[Windows] (MSDN Blogs)A couple of questions I get asked often are: Where do you post information online at? If I follow you on “X", will I see all of the information you post? To address these questions and to make it easier to identify these locations, I am putting this post together to help clarify these items. Below is a quick list of places online that I post and share information to: My Blog: http://www.MSPartnerBlog.com Twitter: http://www.twitte ...
A couple of questions I get asked often are:
- Where do you post information online at?
- If I follow you on “X", will I see all of the information you post?
To address these questions and to make it easier to identify these locations, I am putting this post together to help clarify these items. Below is a quick list of places online that I post and share information to:
My Blog: http://www.MSPartnerBlog.com
Twitter: http://www.twitter.com/EricLigman
Linkedin - http://www.linkedin.com/in/ericligman
Microsoft Partner Network Site: http://www.MicrosoftPartnerNetwork.com
User Group: http://www.MSSmallBiz.com
Facebook: http://www.Facebook.com While I do populate information to each of the various online mediums in various different ways, they are not all necessarily linked directly together as I sometimes choose to share information in one or more of these vehicles but not in others or all of them. In addition, some of these are open broadly to anyone, while others are not. To help show how the information flows between these various resources and to give you a better idea of which ones you may want to subscribe to, I have put together a quick video to explain the interaction between these various resources and how I populate and automate information flow among these:
Hopefully this helps you understand the various online outlets and social media engines I currently utilize and how you can find and subscribe to the ones that are of most interest to you. I look forward to connecting with you online and for those of you attending Microsoft Worldwide Partner Conference, hopefully we will have a chance to meet in person and be able to put faces with names.
Like this? Share it with others: Thank you and have a wonderful day,
Eric Ligman – Follow me on TWITTER
and RSS
Global Partner Experience Lead
Microsoft Worldwide Partner Group
This posting is provided "AS IS" with no warranties, and confers no rights
Bookmark on: MSDN , TechNet, and Expression
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The Fed's Dennis Lockhart Reveals The Three Ways The Greek Crisis Could Hurt The US
[Real Estate] (Business Insider)In a speech today, Atlanta Fed President Dennis Lockhart revealed three ways the (surprisingly) still ongoing Greek crisis could hurt the US: I see three ways the Greek crisis might directly affect the U.S. economy. First, adjustment across the EU to fiscal problems could dampen euro area growth and constrain U.S. exports to that region. The European Union as a whole is this nation's largest export market. Second, related to this, safe haven currency flows from the euro into dollar assets could ...
In a speech today, Atlanta Fed President Dennis Lockhart revealed three ways the (surprisingly) still ongoing Greek crisis could hurt the US:
I see three ways the Greek crisis might directly affect the U.S. economy. First, adjustment across the EU to fiscal problems could dampen euro area growth and constrain U.S. exports to that region. The European Union as a whole is this nation's largest export market. Second, related to this, safe haven currency flows from the euro into dollar assets could cause appreciation of the dollar and hurt U.S. export competitiveness. Third is the possibility that the Greek fiscal crisis could lead to a broad shock to financial markets. This could play out in the banking system or in the form of a general retreat from sovereign debt.
Below is the full speech, in which he also talks about recovery prospects and the muni debt situation. Good stuff:
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This afternoon, I will give you an update on the U.S. economy and comment on conditions in the global economy that affect this country. I'll also offer views on the interplay between fiscal uncertainty here and abroad and appropriate monetary policy to achieve both growth and control of inflation.
The views that follow are mine alone and don't necessary reflect the views of my colleagues on the Federal Open Market Committee (FOMC).
Current economic juncture
First, the national economy: I expect first quarter gross domestic product (GDP) growth numbers will show the economy continues to recover. The recovery began last summer and accelerated in the fourth quarter. Fourth quarter growth was driven by what I believe was the transitory phenomenon of slowing inventory liquidation. Most forecasters expect the first quarter to clock in at a slower but quite respectable pace of around 3 percent, and I agree with that view.Underlying continued growth is a steady improvement in private spending in the United States. Consumer spending is expanding modestly.
Business spending on equipment and software is helping to offset softer housing and commercial construction.
Here in southwest Florida, you are well aware of the challenges faced in housing. In Naples, house prices have declined 64 percent from their peak in the second quarter of 2006 and have yet to stabilize.
Nationally, home sales slowed late last year, and sales have eased further so far this year. Continued stabilization of the housing sector—especially house prices—is likely a precondition for sustained economic recovery.
Although job cuts in the United States appear to have tapered off in recent months, the share of jobless receiving extended unemployment benefits has continued to grow. Last month's U.S. unemployment rate remained very high at 9.7 percent.
Another gauge of the labor market is the percentage of people who, along with the unemployed, have stopped looking for work—so-called discouraged workers—as well as those who are working fewer hours than they want. The combined unemployed and underemployed figure is about 17 percent of the workforce.
With job growth negative to flat, real incomes have stagnated. Total personal income, including transfers from the government, has grown modestly, but income from wages and salaries has declined from a year ago.
To give a context for these domestic developments, let me comment on the international environment in which our economy is evolving. Overall, the outlook for the global economy continues to improve, and international trade has rebounded sharply.
Emerging Asia is driving the global rebound, led by China and India. China's economic growth has been especially strong, lifting global demand for raw materials and capital goods. Latin America has weathered this global crisis much better than previous downturns thanks to stronger economic fundamentals. The region is further benefiting from rising commodity prices.
Meanwhile, recoveries in key developed economies, which still account for the largest share of our export market, have been much less dynamic. Japan's economy has fallen back into deflation, and its economic growth trajectory remains very uncertain. Europe's recovery is fragile as concerns mount about Greece and other countries with large fiscal burdens. I'll discuss this topic more in a moment. Overall, despite the notable divergence in growth rates between developed and emerging economies, the global economy is expected to expand at a solid pace this year, continuing to provide support for U.S. exporters.
Looking ahead, the central question for the United States is how strong the recovery will be and how long it will take to reduce unemployment.
Views about the economic outlook fall roughly into two narratives. Scenario one is the familiar V-shaped, strong bounce back from severe recession. In this scenario, growth exceeds the underlying long-term potential of the economy, and unemployment declines at a steady pace. Both consumer activity and business investment show growth. Exports contribute measurably to GDP, reflecting growth of our principal trading partners, particularly in Asia. The banking system successfully navigates a troubled commercial real estate sector and expands credit to both businesses and consumers, fueling a rather strong recovery.
By contrast, the second scenario is a relatively modest recovery, with slow reduction of unemployment. Various headwinds hold back GDP growth. They include (1) a weak banking sector that is slow to expand credit in part because of weak loan demand and commercial real estate problems, (2) subdued consumer activity reflecting a more frugal consumer mindset as well as restricted consumer credit, and (3) extremely cautious business investment in both inventory and capital goods.
Most forecasters see a future resembling the second narrative. My forecast—and that of my staff at the Atlanta Fed—is close to the second narrative. The recovery under way seems at this juncture to be tentative and fragile.
Greece and fiscal uncertainty
My staff and I typically incorporate known, somewhat quantifiable risks into our forecasts. I referred to these as headwinds. They are factors we expect to be drags on growth. There are other plausible emerging scenarios that are not factored into my formal outlook. I monitor these for evidence that they're materializing—becoming real—and need to be more formally considered. One such concern is what might be called "fiscal uncertainty."You've all been reading about Greece and the European Union's handling of the Greek fiscal crisis. At the moment a nexus of fiscal uncertainty is the situation playing out in Greece.
Last October, the government of Greece revised its 2009 fiscal deficit sharply higher to more than 12 percent of GDP. Consequently, the ratio of public debt to GDP was revised up by 17 percentage points this year to 125 percent of GDP.
Investors around the world are concerned about Greece's deficit and rising debt. Market pressures, along with European Monetary Union mandates, have forced the government to present a credible plan to tame its deficit. As of today, how this will play out is not clear.
It's worth considering whether this is just a distant development or one with relevance to us here in the United States. What do fiscal problems in Greece have to do with my economic outlook for the United States?
I see three ways the Greek crisis might directly affect the U.S. economy. First, adjustment across the EU to fiscal problems could dampen euro area growth and constrain U.S. exports to that region. The European Union as a whole is this nation's largest export market. Second, related to this, safe haven currency flows from the euro into dollar assets could cause appreciation of the dollar and hurt U.S. export competitiveness. Third is the possibility that the Greek fiscal crisis could lead to a broad shock to financial markets. This could play out in the banking system or in the form of a general retreat from sovereign debt.
At this point, these possibilities are not factored into my outlook in any way. But developments around the Greek situation deserve rapt attention.
We have our own set of fiscal uncertainties in this country—at all levels of government. The National League of Cities projects that municipal governments will face a shortfall of $56 billion to $83 billion from 2010 to 2012. Local governments in this country are pressured by lower sales tax revenues and shrinking property tax digests along with other demands.
On average, state-level governments began fiscal year 2010 with a revenue-expenditure gap of 17 percent. Three states had expected budget gaps in excess of 40 percent. Florida's budget gap going into the current fiscal year (2010) was 23 percent.
Across the country, state governments have responded to these strains by drawing down rainy day funds, raising taxes, cutting budgets, and furloughing employees.
To date, some amount of spending cuts and tax increases at the state level have been avoided thanks to the federal stimulus package, but that infusion of money is temporary. It appears state budgets next year will need to shrink considerably to get to balance.
I'm sure you're familiar generally with the situation at the federal level. According to the Congressional Budget Office, under current law federal budget deficits rose from an average of about 2.4 percent of GDP in the period from 1970 to 2008 to 10 percent in 2009. No budget path currently under consideration would keep the public debt from growing relative to gross domestic product. Clearly, an ever-rising debt-to-GDP ratio is unsustainable and a matter of great concern.
Government finances are severely strained at all levels. All of these fiscal pressures represent another downside risk for the broad economy. But I see a connection to inflation risk as well. Let me explain.
The FOMC met last week. In that meeting the federal funds rate target was kept at the "low as it can go" range of 0 to 25 basis points. Also, the Committee, in its post-meeting statement, said that economic conditions are "likely to warrant exceptionally low levels of the federal funds rate for an extended period." This policy is obviously very accommodative, and, in my opinion, is appropriate for a recovery that is tentative and facing headwinds.
Policy dilemma forming
By congressional mandate, the Fed in conducting monetary policy must balance support for economic growth and the associated goal of bringing down unemployment with pursuit of price stability—low inflation. In my view, the current accommodative stance of policy is not inconsistent with the dual mandate as long as inflation expectations remain well anchored.In these times of fiscal uncertainty I am concerned about the possibility of a monetary policy dilemma developing. If you, the public, become convinced nothing will be done to restore the federal fiscal balance, especially at the federal level, this skepticism may be reflected in inflation expectations. You may come to believe that the only plausible scenario is inflating our way out of the problem.
If such a situation begins to develop, the Fed will face a difficult trade-off between continued support for the recovery and aggressive action to reanchor inflation expectations.
For the time being, inflation expectations are holding steady, and incoming data suggest price pressures are muted. It is hard for me to summon much concern about inflation in the immediate future. Almost all measures of core inflation show indications of disinflation. But this pattern could shift. As a policymaker, I have to pay constant attention.
Inflation expectations as critical factor for policy
In my view, the capacity to maintain interest rates at the level appropriate to support the recovery depends critically on containment of inflation expectations.The Greek drama we're watching with such great interest should heighten recognition of the urgent need here in the United States for a credible path to fiscal sustainability. Rising public awareness of the country's serious fiscal imbalances should serve as a call to action.
The nation has successfully navigated such challenging circumstances in the past and can do so again. With a credible fiscal plan, monetary policy should be able to remain supportive of the recovery that I'm confident will build in strength.
Join the conversation about this story »
See Also:
- The New Rift In Europe: France And Germany Increasingly At-Odds Over Greece And EU As A Whole
- Greece Has A Completely Unrealistic Rescue Plan For Itself
- Get Real, Here's Why The UK Is NOTHING Like Greece
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A Softer World: 541
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That List Of Webcomics From Sunday
[Comics] ()Thanks to the phenomenon known as "insomnia," aka "the crushing worries of existence, nestled at bedside," what follows is an alphabetical, standardized version of the list of current webcomics produced by CR readers on Friday evening. Although even I can think of a lot of great strips that no one mentioned, I think it's a pretty good list, and only three made me want to build a time machine to go back to caveman times and find some way to destroy mankind's artistic impulse. And then only for ...
Thanks to the phenomenon known as "insomnia," aka "the crushing worries of existence, nestled at bedside," what follows is an alphabetical, standardized version of the list of current webcomics produced by CR readers on Friday evening. Although even I can think of a lot of great strips that no one mentioned, I think it's a pretty good list, and only three made me want to build a time machine to go back to caveman times and find some way to destroy mankind's artistic impulse. And then only for a few seconds. Mostly, there's a lot on even this admittedly very standard list with which I wasn't yet familiar. Anyway, I made a folder out of open new tabs and all tabs in a folder function, and look forward to digging in. Maybe you will, too. * 1930 Nightmare Theatre @ Dumm Comics, Kyle A. Carrozza and John Berry * 1977 The Comic, W. Byron Wilkins * Achewood, Chris Onstad * A Manga Addict, Sam Mooney * American Elf, James Kochalka * A Softer World, E Horne and J Comeau * Bad Machinery, John Allison * Bear Nuts, Alison Acton * Between Gears, Natalie Nourigat * Brat-Halla, Jeffery Stevenson and Seth Damoose * Briar Hollow, Terry Blas * Bug, Adam Huber * Cat and Girl, Dorothy Gambrell * College Roomies From Hell!!!, Maritza Campos * Daisy Owl, Ben Driscoll * Dark Horse MySpace Presents * Deadbeats, Richard Howell and Ricardo Villagran and Thom Zahler * Diesel Sweeties, R. Stevens * Dinosaur Comics, Ryan North * Dresden Codak, Aaron Diaz * Ellerbisms, Marc Ellerby * Ellie Connelly, Indigo Kelleigh * EmiTown, Emi Lenox * Endtown, Aaron Neathery * Freakangels, Warren Ellis and Paul Duffield * Girl Genius, Phil Foglio and Kaja Foglio * Girls With Slingshots, Danielle Corsetto * Goats, Jon Rosenberg * Hark! A Vagrant, Kate Beaton * Haunted, Josh Smeaton * Heropotamus, Josh Alves * Iron, SM Vidaurri * John & John, , d!o * Johnny Wander, Ananth Panagariya and Yuko Ota * Kawaii Not, Meghan Murphy * Lackadaisy, Tracy J. Butler * Let's Be Friends Again, Curt Franklin and Chris Haley * Liz Prince Power, Liz Prince * Max Vs. Max, Wes Molebash * Menage a 3, Giz and Dave Zero1 * Mugwhump the Great, Roger Langridge * My Cardboard Life, Philippa Rice * Nedroid Picture Diary, Anthony Clark * Oceanverse, Michael Schwartz * Octopus Pie, Meredith Gran * Pajama Forest!, Evan Diaz * Penny and Aggie, T. Campbell and Gisele Legace * Penny Arcade, Jerry Holkins and illustrated by Mike Krahulik * PhD: Piled Higher & Deeper, , Jorge Cham * Pokeweed, Drew Pocza * PvP, Scott Kurtz * Questionable Content, Jeph Jacques * reMIND, Jason Brubaker * Savage Chickens, Doug Savage * Sheldon, Dave Kellett * She Said, Kris Dresen * Shortpacked!, David Willis * Sinfest, Tatsuya Ishida * Sin Titulo, Cameron Stewart * Socks and Barney, Steve Conley * Spain & Morocco, Alex Fellows * Steve Bissette's King of Monster Isle, Steve Bissette * Strewth, Josh Way * SubCulture, Kevin Freeman and Stan Yan * Supernatural Law, Batton Lash * The Abominable Charles Christopher, Karl Kerschl * The Bean, Trav * The Non-Adventures of Wonderella, Justin Pierce * Tune, Derek Kirk Kim * Toddbot.com, Todd Webb * Wapsi Square, Paul Taylor * Whubble, Jamie Smart * Wondermark, David Malki * XKCD, Randall Munroe * Year of the Rat, Cayetano Garza Jr. Thanks to all the readers that participated. -
As intense a game as you can get – Sydney’s Colosimo
[Soccer] (tribalfootball.com)The 2009/10 A-League Grand Final was as intense as you can get according to Sydney FC defender Simon Colosimo. The defender, who took out the Joe Marston Medal for best afield, rated the clash with the Melbourne Victory up with the final match of the regular season at Sydney Football Stadium in front of 25,000 people that the Sky Blues won 2-0. “That was as intense as the 14th February (final game of regular season),” Colosimo said after the match. “It had absolutely everything. There wa ...
The 2009/10 A-League Grand Final was as intense as you can get according to Sydney FC defender Simon Colosimo.
The defender, who took out the Joe Marston Medal for best afield, rated the clash with the Melbourne Victory up with the final match of the regular season at Sydney Football Stadium in front of 25,000 people that the Sky Blues won 2-0.
“That was as intense as the 14th February (final game of regular season),” Colosimo said after the match. “It had absolutely everything. There was respect for each other, there was hard tackling, there was a couple of jokes here and there on the pitch because that’s the way football is, there were guys kicking the ball out when someone was going down with cramp , there was absolutely everything out there as there was at the SFS that day.
“It’s testament to Melbourne and ourselves. We’ve both been the best two teams in the league this year.”
And Colosimo said it was no different playing the Grand Final in Melbourne as you are not going to play any softer due to the fact that you are away from home.
“I don’t think it makes any difference in Grand Finals, I really don’t,” he added. “We had great support and if you look at other Grand Finals in Australia, no matter what, there is one played up the road (AFL) and it doesn’t matter who’s playing in it, they can be from anywhere. You don’t see them going half-hearted or saying it was away or anything.
“Grand Finals….it’s the one. You saw after the game the Melbourne player’s faces, they put everything in into it.”
Colosimo flew to Korea the following yesterday take up a short-term deal with FC Seoul with the hope that he can push for selection for the Australian World Cup squad and although he admitted it would be hard to leave Sydney, he was comfortable with the fact he had achieved the goals he set.
"I have spoken at length about my desire to give myself every chance to make the World Cup squad and I am doing that,” Colosimo said.
“The players and coaching staff at Sydney FC have been amazing to me. We are a very close bunch and although the A-League season is now over, leaving them was extremely difficult.
“I have given everything I have for Sydney FC this season. What a year it has been. I have been injury free, we won the domestic double and I am in the Socceroos squad.
"I'm leaving on a very, very big high. I've achieved what I wanted to at Sydney FC and now it's the next chapter of my career.
“So far everything's ticked off. Minor premiership, playing every game injury-free, now a grand final. Now I've got that next dream of a World Cup."
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The Softer Side of “The World’s Toughest Movie Critic" - an Interview with Vaughn Fry
[SEO (Search Engine Optimization)] (What's New On Sphinn)Our blogger interview this week chose the words “World’s Toughest Movie Critic” as his personal tagline. He’s a film major graduate of the University of Kansas. He’s fiercely proud of the Mid-Western culture and community he belongs to. For the past few years he’s been volunteering as a Programmer for the Tallgrass Film Festival. It is with great pleasure that I introduce you to Vaughn Fry, the video blogging film critic responsible for the excellent Vaughn On Movies blog. Re ...
Our blogger interview this week chose the words “World’s Toughest Movie Critic” as his personal tagline.
He’s a film major graduate of the University of Kansas.
He’s fiercely proud of the Mid-Western culture and community he belongs to.
For the past few years he’s been volunteering as a Programmer for the Tallgrass Film Festival.
It is with great pleasure that I introduce you to Vaughn Fry, the video blogging film critic responsible for the excellent Vaughn On Movies blog.
Read more: http://blog.headup.com/2010/03/the-softer-side-of-the-worlds-toughest-movie-critic/#ixzz0ioj7Mb75 -
FFF Results Post #202 -- Webcheck
[Comics] ()On Friday, CR readers were asked to "Name Five Webcomics You Read That 1) Aren't Any Of The Five I Chose, 2) Posted First On-Line -- Not After Or Concurrently With Print, 3) Are Ongoing (Updating At Least Once This Year)." This is how they responded. Tom Spurgeon 1. Hark! A Vagrant 2. PvP 3. Achewood 4. Sin Titulo 5. Freakangels ***** Brian Moore 1. Endtown, Aaron Neathery 2. Goats, Jon Rosenberg 3. Bad Machinery, John Allison 4. Spain & Morocco, Alex Fellows 5. The Non-Adventures of W ...
On Friday, CR readers were asked to "Name Five Webcomics You Read That 1) Aren't Any Of The Five I Chose, 2) Posted First On-Line -- Not After Or Concurrently With Print, 3) Are Ongoing (Updating At Least Once This Year)." This is how they responded. Tom Spurgeon 1. Hark! A Vagrant 2. PvP 3. Achewood 4. Sin Titulo 5. Freakangels ***** Brian Moore 1. Endtown, Aaron Neathery 2. Goats, Jon Rosenberg 3. Bad Machinery, John Allison 4. Spain & Morocco, Alex Fellows 5. The Non-Adventures of Wonderella, Justin Pierce ***** Samuel Mooney 1.) remind 2.) Tune 3.) The Bean 4.) Iron 5.) a漫画アディクト ***** Wesley Osam 1. Bad Machinery 2. Dresden Codak 3. Nedroid Picture Diary 4. Pictures for Sad Children 5. Cat and Girl ***** Tom Bondurant 1. The Non-Adventures Of Wonderella 2. Let's Be Friends Again 3. Max Vs. Max 4. Bug 5. Strewth ***** Dave Knott * XKCD * PhD: Piled Higher & Deeper * Penny Arcade * Girl Genius * Diesel Sweeties ***** Jamie Coville 1) Sinfest 2) Diesel Sweeties 3) Dinosaur Comics 4) xkcd 5) The Abominable Charles Christopher ***** Kurt Busiek * Menage a 3 * The Abominable Charles Christopher * Deadbeats * Ellie Connelly * Mugwhump the Great And a special note for Bearskinrug, which isn't remotely conventional but is chock full o' great. ***** Dennis Culver * Haunted * Sinfest * Diesel Sweeties * Let's Be Friends Again * Awesome Hospital ***** Johnny Bacardi 1. Octopus Pie 2. Scary-Go-Round presents Bad Machinery 3. Brat-Halla 4. The Non-Adventures of Wonderella 5. Lackadaisy Cats ***** Michael Carens-Nedelsky 1. A Softer World 2. Piled Higher and Deeper 3. Wondermark 4. XKCD 5. Lackadaisy ***** William Doughty 1. Daisy Owl 2. Questionable Content 3. Shortpacked! 4. Girls With Slingshots 5. Oceanverse ***** Uriel A. Duran 1) Savage Chickens 2) John & John 3) 1930 Nightmare Theatre @ Dumm Comics 4) College Roomies From Hell!!! 5) Kawaii Not ***** Tony Collett 1. SubCulture 2. The Non-Adventures Of Wonderella 3. Sheldon 4. Girls With Slingshots 5. 1977 The Comic ***** John Platt 1. Supernatural Law 2. Steve Bissette's King of Monster Isle 3. American Elf 4. Dark Horse MySpace Presents 5. Year of the Rat ***** Jamie Cosley 1. Heropotamus 2. Pokeweed 3. Pajama Forest! 4. Toddbot.com5. 5. Whubble ***** Jamie S. Rich 1. Ellerbisms, Marc Ellerby 2. Between Gears, Natalie Nourigat 3. EmiTown, Emi Lenox 4. Briar Hollow, Terry Blas 5. My Cardboard Life, Philippa Rice ***** Greg McElhatton * Girl Genius * Johnny Wander * Liz Prince Power * She Said * Socks and Barney ***** Buzz Dixon 1. Sinfest 2. Tune 3. Bear Nuts 4. Wapsi Square 5. Penny and Aggie ***** ***** -
We purr over cats while allowing elephants to die
[Corporate Blogs, Politics, Op-Ed (opinion editorial), Guardian] (Comment is free | guardian.co.uk)The animal-loving British are refusing to support a ban on ivory salesI'll try to keep this as un-gory as possible for animal-loving readers. Perhaps you are reading this while patting your dog, stroking your cat, or changing the straw for your child's hamster. I really wouldn't want to spoil such beautiful quintessentially British moments. We all know that Britain prides itself on being a "nation of animal lovers".However, facts are facts, and tomorrow in Doha, Qatar, at the Convention on Inter ...
The animal-loving British are refusing to support a ban on ivory sales
I'll try to keep this as un-gory as possible for animal-loving readers. Perhaps you are reading this while patting your dog, stroking your cat, or changing the straw for your child's hamster. I really wouldn't want to spoil such beautiful quintessentially British moments. We all know that Britain prides itself on being a "nation of animal lovers".
However, facts are facts, and tomorrow in Doha, Qatar, at the Convention on International Trade in Endangered Species (Cites), a proposal from Kenya for a 20-year ban on ivory sales is likely to fail because key members of the EU are refusing to support it. One of them is Britain.
Britain is going with the Cites stance that "one-off sales of stockpiled ivory" help fund conservation, and reduce poaching by satisfying demand. Which completely ignores the new report from a 27-strong team of conservationists and scientists saying that one-off sales have not delivered on conservation, have increased the demand for ivory in far eastern countries such as Japan and China, and therefore encourage poaching.
Tearing oneself away from the blizzard of "unsubstantiated allegations, blah blah" of rampant horse-fixing and vote-gathering at Cites, one also reads that our own Department for Environment, Food and Rural Affairs (Defra) is pondering whether to support a move for even less protection for Tanzanian and Zambian elephants. This decision will take them, ooh, at least six years. All this is going on in your name. Still feeling those "nation of animal-lovers" warm fuzzies?
Strange how quickly this "animal-lovers" malarkey flies out of the window when big money or politics comes into it. A case of, everyone loves elephants, but when it gets a bit sticky with international sanctions and world trade, or means getting on the wrong side of highly lucrative expanding far eastern markets, it's: "So long, Dumbo!" In fairness, at Cites, Britain did back other conservation proposals (ie a failed one for bluefin tuna), but did they seriously believe that this stance on ivory sales would have our full public support?
Probably not, but maybe they are banking on the bizarre loophole in British attitudes to animals. Our quasi-schizophrenic habit of cherry-picking when to care, and when not to give much of a stuff. After all, we are the nation who sobbed our hearts out at Rolf Harris's sick puppies on Animal Hospital, even as, year on year, RSPCA figures for animal cruelty were rising. Who occasionally get angry about factory farming, but much angrier when chickens don't cost one old farthing in the supermarket. And now whose government refuses to oppose ivory sales, even though it is bizarre that ivory could still be judged a "material" – would you put an ornament made of dogs' teeth on your mantelpiece?
The government letting this opportunity pass by is a scandal, but surely the blame spreads far wider to public apathy. Maybe it is time to take a stand. Are we going to carry on being less a nation of animal lovers than a giant cultural "petting zoo"? As in, sure, we love animals, but everything's got to be all fluffy and easy and nice, and occasionally we'll get out the Animal Hospital DVDs and weep with Rolf over sick gerbils.
Or are we going to be the kind who react with outrage and action when our views are not represented in arenas such as Cites, who are prepared to make trouble, sign petitions, pester EU reps? Who refuse to support legislation which experts believe encourages the poaching of fast-dwindling numbers of elephants – where, incidentally, the common practice is to exploit the elephants' strong family bonds, shooting the babies first, in order to lure in the adults. Maybe it is time for British people to start living up to our billing – if we really are this "nation of animal lovers", why aren't they hearing us roar?
Rachel, try being softer and a little more Lady-like
One must give Rachel Johnson the benefit of the doubt and presume there was an element of mischievous editing in Channel 4's The Lady and the Revamp, which followed her taking over the editorship of ailing magazine The Lady.
Certainly Johnson had her work cut out at The Lady, and she wasn't going to get anywhere, pottering about, being a "nice gel". Her basic ideas (sort out staff, modernise the title) were sound troubleshooting. However, there was something a bit callous and flippant about the way Johnson dealt with staff cuts, quipping about "death lists" and "prising fingers off". These were people's jobs – in many cases, their last ones, the majority of her employees seeming to come under the heading, "Distressed gentlefolk of Chelsea".
While no one wanted Johnson to be constantly turbo-emoting ("Because she's a woman"), her glib manner was unsettling. And telling. Johnson came across as someone who'd never lost a job, and even if she had, was in the privileged position of viewing employment as primarily providing "challenges", rather than essential money to live. I think if you sack people, you should afford them the dignity of taking it seriously, just as they have to.
Who will play Sahil in Bollywood?
Very much enjoying the outcome of the Sahil Saeed kidnapping. It could have gone horribly wrong; miraculously it didn't, and it's a great story: Dad racing to the rescue, relatives pitching in with money, secret surveillance operations, cash handovers, arrests, and then five-year-old Sahil back home in Oldham, in his mother's arms, his uncle handing around celebratory bowls of sweets to well-wishers. Aw. One can almost hear the rattle of keyboards as the heart-warming Hollywood film writes itself.
It might even feature some actual Indian people, which is more than could be said for Bollywood, currently under fire from activist political group MNS, for using too many white westerners. Ranging from celebrities such as Kylie Minogue, Sylvester Stallone, and, erm, Chris Patten's daughter, Alice, to "attractive backpackers" who are prepared to prance around in skimpy costumes, unlike many Indian girls. Meanwhile, local acting talent is missing out.
The complaint is that eastern films don't look so eastern anymore. Indeed, while it is rumoured that MNS are cynically lunging for the female vote, there is a valid point. Shouldn't westerners know their place with Indian cinema? That place being sat on the cinema seats, not starring in the films. With India awash with homegrown talent, is there a genuine need for "Bolly-Kylie"?
It also bodes ill for the Bollywood take on the Sahil story. What should be a wonderful opportunity for Indian actors could end up as an over-westernised nightmare, or should that be "white-mare"? Sahil played by Zac Efron trying to portray "five years old" with his knees in shoes, his mother by Anne ("What's an Oldham?") Hathaway, a sari'd Judi Dench as an anguished grandmother. Sorry, but it would take a really big bowl of sweets to put that right.
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Band of the Week: Plan B
[Rock 'n Roll, Music, Pop Culture] (Spinner)Filed under: Band of the Week Four years ago, a young man of 22 emerged from the estates of east London with an album in 'Who Needs Actions When You Got Words,' that was as genre-crossing as it was foul-mouthed. Plan B, aka Ben Drew, had made what was predominantly a rap album in debt to his hero, Eminem, yet he also included curious passages of finger-picked acoustic guitar that if not quite John Fahey, was at least a subtle acknowledgment of a world beyond the London hip-hop and grime he fo ...
Filed under: Band of the Week
Four years ago, a young man of 22 emerged from the estates of east London with an album in 'Who Needs Actions When You Got Words,' that was as genre-crossing as it was foul-mouthed. Plan B, aka Ben Drew, had made what was predominantly a rap album in debt to his hero, Eminem, yet he also included curious passages of finger-picked acoustic guitar that if not quite John Fahey, was at least a subtle acknowledgment of a world beyond the London hip-hop and grime he found himself immersed in. The title of his debut album was taken from a song by the Meat Puppets, further proving an awareness of ostensibly remote musical styles.
It should come as no surprise then, that Plan B's new album, 'The Defamation of Strickland Banks,' is an excursion into yet another realm. 'Strickland Banks' is essentially a soul album, with Drew's newly-discovered singing voice placed centre-stage. The quickfire rapping is still there in parts, but overall this is a profoundly softer effort, and a comparison can be made between Drew's transformation from abrasive enfant terrible to crooner and the similar path trodden by one of 2009's breakout heroes, Mayer Hawthorne, another to make the effortless change between hip-hop and soul.
But for Plan B, the transition was far from a step into the unknown. It was this music that was his first love, even before hip-hop took hold of him. -
Defending statistical methods
[Physics, Science] (The Reference Frame)There surely exist propositions by the skeptics - and opinions liked by many skeptics - that I find dumb. I don't know whether they're equally frequent as the alarmists' delusions but they certainly do exist. A whole article of this sort was written by Tom Siegfried in Science News, Odds Are, It's Wrong.The article whose subtitle is "Science fails to face the shortcomings of statistics" - it sounds serious, doesn't it? - was promoted at Anthony Watts' blog. The most characteristic quote in the ...
There surely exist propositions by the skeptics - and opinions liked by many skeptics - that I find dumb. I don't know whether they're equally frequent as the alarmists' delusions but they certainly do exist. A whole article of this sort was written by Tom Siegfried in Science News,
Odds Are, It's Wrong.
The article whose subtitle is "Science fails to face the shortcomings of statistics" - it sounds serious, doesn't it? - was promoted at Anthony Watts' blog. The most characteristic quote in the article is the following:
It’s science’s dirtiest secret: The “scientific method” of testing hypotheses by statistical analysis stands on a flimsy foundation.
So I gather that the idea is that one should throw away all statistical methods which are a "mutant form of math". Holy cow.
There surely exist whole scientific disciplines that are trying to find tiny, homeopathic signals that can be hugely overinterpreted and hyped because the researchers are usually rewarded for such statements, regardless of their validity (or at least, they don't pay any significant price if the claims turn out to be wrong). The science of health impacts of XY is the classic example - and environmental and climate sciences may have become another.
People in those disciplines are usually led by their environment to be "finding" effects even if they don't really exist. The average ethical and intellectual qualities of the people who work in these disciplines are poor. But it's just preposterous to imagine that the right cure could be to throw away or ban all statistical methods.
Statistical methods are crucial and omnipresent
In fact, statistical methods have always been essential in any empirically based science. A theory predicts a quantity to be "P" and it is observed to be "O". The idea is that if the theory is right, "O" equals "P". In the real world, neither "O" nor "P" is known infinitely accurately.
Why? Because observations are never accurate, so "O" always has some error, at least if it is a continuous quantity. And "P" is almost always calculated by a formula that depends on other values that had to be previously measured, too. So even the predictions "P" have errors. There are various kinds of errors that contribute and they would deserve a separate lecture.
Moreover, quantum mechanics implies that all observations ever made have some uncertainty and all of them are statistical in character. The most complete possible theories can only predict the probabilities of individual outcomes. Clearly, all observations you can ever make have a statistical nature. In particular, experimental particle physics would be impossible without statistics. If you can't deal with the statistical nature of the empirical evidence, you simply can't do empirical science.
Now, if "O" and "P" are known with some errors, how do you determine whether the theory passes or fails the test? The errors are never "strict": there is always a nonzero probability that a very big error, much bigger than the expected one, is accumulated, so you should never imagine that the intervals "(O - error, O + error)" are "strictly certain". Nothing is certain. If you pick 1,000 random people, the deviation of the number of women from 500 may be around 30 but it is unlikely, but not impossible, that there will be 950 women and 50 men.
The answer to the question that started the previous paragraph is, of course, that if "O" and "P" are (much) further from one another than both errors of "O" as well as "P", the theory is falsified. It's proven wrong. If they're close enough to one another, the theory may pass the test: we failed to disprove it. But as always in science, it doesn't mean that the theory has been proven valid. Theories are never proven valid "permanently". They're only temporarily valid until a better, more accurate, newer, or more complete test finds a discrepancy and falsifies them.
In the distant past, people wanted to learn "approximate", qualitatively correct theories. So the hypotheses that would eventually be ruled out used to be "very wrong". Their predicted "P" was so far from the observations "O" that you could have called the disagreement "qualitative" in character. However, strictly speaking, it was never qualitative. It was just quantitative - and large.
But as our theories of anything in the physical Universe are getting more accurate, it is completely natural that the differences between "O" and "P" of the viable candidate hypotheses is getting smaller, in units of the errors of "O" or "P". In some sense, the new scientific findings at the "cutting edge" or the "frontier" almost always emerge from the "mud" in which "O" and "P" looked compatible. When the accuracy of "O" or "P" increases, we can suddenly see that there's a discrepancy.
We should always ask how big a discrepancy between "O" and "P" is needed for us to claim that we have falsified a theory. This is a delicate problem because there will always be a nonzero probability that the discrepancy has occurred by chance. We don't want to make mistakes. So we want to be e.g. 99.9% sure that if we say that a theory has been falsified, it's really wrong.
The required separation between "O" and "P" can be calculated from the figure above, from 99.9%. If you don't know the magic of statistical distributions, especially the normal one, I won't be teaching you about them in this particular text. But it's true that the probability that the falsification "shouldn't have been done" because the disagreement was just due to chance is decreasing more quickly than exponentially with the separation - as the Gaussian.
So e.g. particle physics typically expects "new theories" to be supported by "5 sigma signals" - in some sense, the distance between "O" and "P" is at least 5 times their error. The probability that this takes place by chance is smaller than one in one million. Particle physicists choose such a big separation - and huge confidence level - because they don't want to flood their discipline with lots of poorly justified speculations. They want to rely upon solid foundations so statistical tests have to be really convincing.
Softer disciplines typically choose less than 5 sigma to be enough: 2 or even 1 sigma is sometimes presented as a signal that matters. Of course, this is because they actually want to produce lots of results even though they may be (and, sometimes, are likely to be) rubbish. But a simple fix is that they should raise the required confidence level for their assertions - e.g. from 2 sigma to 5 sigma. They don't have to immediately throw statistics as a tool away.
A problem is that many of these researchers actually don't want to do it. They don't want their science to work right. They have other interests.
In fact, while the confidence level is dramatically increased if we go from 2 sigma to 5 sigma (something like from 90% to 99.9999%), the required amount of data we need to collect to get the 5-sigma accuracy is just "several times" bigger than for the 2-sigma accuracy. So if there's some effect, it's not such a huge sin to demand that published "discoveries" should be supported by 5-sigma signals. Once again, the soft scientists - who propose various theories of health (what is healthy for you) - are choosing low confidence levels deliberately because they like to present new results even though they're mostly bogus. They still get famous along the way.
If some key statements about AGW are only claimed to be established at the 90% confidence level, it's just an extremely poor evidence (and may be overstated or depend on the methods, anyway). In principle, it shouldn't be hard for the evidence for such a hypothesis, assuming it's true, to be strengthened to 99.9% or more. That's what "hard sciences" deserving the name require, anyway.
The laymen usually misunderstand how little "90%" is as a confidence level - and some traders with fear masterfully abuse this ignorance. 90% vs 10% is not that "qualitatively" far from 50% vs 50% - and one can transform one to the other by a "slight" pressure in the methodology and the formulae. If you want to be scientifically confident about a conclusion, you should really demand 99.9% or more. And it's actually not that hard to obtain such stronger evidence assuming that your hypothesis is actually correct and the "signal" exists.
Falsifying a null hypothesis
I must explain some basic points of the statistical methods. Typically, we want to find out whether a new effect exists. So we have two competing hypotheses: I will call them the null hypothesis and the alternative hypothesis.
The null hypothesis says that no new effect exists - everything is explained by the old theories that have been temporarily established and any pattern is due to chance. When I say "chance", it's important to realize that one must specify the exact character of the "random generator" that produces these random data, including the deviations, correlations, autocorrelations, persistence, color of the noise etc. There's not just one "chance": there are infinitely many "chances" given by "statistical distributions" and we must be damn accurate about what the null hypothesis actually says. (Often, we mean the "white noise" and "independent random numbers" etc.)
The alternative hypothesis says that a new effect is needed: the old explanations and the null hypothesis is not enough.
How do you decide in between these two? Well, you calculate the probability that the apparently observed "pattern" could have occurred by chance assuming the null hypothesis. If the probability of something like that were sufficiently high, e.g. 1% or 5%, you say that your data don't contain evidence for the alternative hypothesis.
If the calculated probability that the "pattern" in the data could have been explained by chance - and by the null hypothesis - is really tiny, e.g. 10^{-6}, then your data give you a strong evidence that the null hypothesis is wrong. If you say that it's wrong, your risk of having made a wrong conclusion - the so-called "false positive" or "type I error" - is only 10^{-6}. So it's sensible to take this risk. In my example, we falsified the null hypothesis at the 99.9999% level. It's very likely that a new effect has to exist.
You're expected to have an alternative hypothesis that actually describes the data more accurately and gives a higher probability that the data could have occurred according to the alternative hypothesis, with its new understanding of "chance".
However, if the probability of getting the pattern by chance, from the null hypothesis, is substantial, e.g. 10%, then your data only provide you with a very weak hint that a new effect could exist. If you use the standards of hard sciences, you should say that your data can't settle the question in either way.
Of course, it is always possible that if you make such a conclusion, you have made another kind of error, the "type II error", also known as the false negative. But what Tom Siegfried seems to misunderstand is that this is a common situation that you simply can't avoid in most cases. The data, with their limited volume and limited accuracy (and assuming a small size of the new effect), simply can't settle the question in either way.
So when you say that you don't have enough evidence to confirm the "pattern", i.e. that the data don't contain a statistically significant evidence for the alternative hypothesis i.e. the new effect, it is not the ultimate proof that the alternative hypothesis is wrong. It is not the final proof that the new effect can't exist.
It's just evidence that the new effect is small and unimportant enough so that it couldn't have been detected in the particular sample or experiment. You can't make a final decision here. While hypotheses can be kind of "completely killed" in science, they can never be "completely proved". Even though the null hypothesis can be pretty much safely killed, no one can ever guarantee to you that your particular generalization, your alternative hypothesis, is the most correct one. It could have been better than the null hypothesis in passing this particular test but the next one may falsify your alternative hypothesis, too.
There's no straightforward way to construct better hypotheses! Creativity and intuition is needed before your viable attempts are tested against the data.
And quite often, your data simply don't contain enough information to decide. This is not a bug that you should blame on the statistical method. The statistical method is innocent. It is telling you the truth and the truth is that we don't know. The laymen may often be scared by the idea that we don't know something - and they often prefer fake and wrong knowledge over admitting that we don't know - but it's their illness, their inability to live with what the actual science is telling us (or not telling us, in this case), not a bug of the statistical method.
Misinterpretations, errors, lousy scientists
Of course, the picture above assumes that one actually learns how the statistical method works and what it exactly allows us to claim in particular situations. That has nothing to do with the journalists' or laymen's interpretations. The journalists and other laymen usually don't understand statistics well - and sometimes they want to mislead others deliberately.
But again, it would be ludicrous to blame this fact on the statistical method.
Analogously, bad scientists may calculate confidence levels incorrectly. They may choose unrealistic null and/or alternative hypotheses. And they may misinterpret what their test has really demonstrated and what it hasn't. They may hold completely unrealistic beliefs about the odds that a "generic" hypothesis would pass a similar test so they can't place their calculation in any proper context. Quite typically, such people only blindly follow some statistical recipes that they don't quite understand. So it's not shocking that they can end up with mistakes.
This fact is not specific to statistics. People who are lousy scientists often make errors in non-statistical scientific methodologies, too. That's not a reason to abandon science, is it?
The proper statistical method gives us the best tool to study the incomplete or inaccurate empirical information - and in the real world, every empirical information is incomplete or inaccurate, at least to some extent. And one can actually prove that the probability of a "false positive" is as small as the p-value. Well, the p-value is not quite the same thing as the probability of a "false positive" but it's pretty close.
But "false negatives" can never be reliably cured. Whenever your experiment is not accurate enough, it will simply say "no pattern seen" even though a better experiment could see it.
The solution to fight against the widespread errors is to require the soft disciplines to become harder - to calculate the confidence levels properly and to require higher confidence levels than those that have been enough for a "discovery" in the recent decades. This recommendation follows from common sense. If your field has been flooded by lots of beliefs in correlations and mechanisms that often turned out to be incorrect or non-existent, it's clear that you should make your standards more stringent.
Scientists, journalists, and laymen should do their best to be accurate and to learn what various tests actually imply.
But it will still be true that no science can be done "quite" without any statistical reasoning. And it's still true that the datasets and experiments will continue to be unable to give the "final answer" to many questions we would like to be answered. These are just facts. You may dislike them but that's the only thing you can do against facts.
So I would urge everyone to try to avoid bombshell statements such as "statistics is a dirty core of science that doesn't work and has to be abandoned". Lousy work of some people can't ever justify such far-reaching claims.
After all, much of the lousy work - and lousy presentation in the media - emerges because the people want to claim that the relevant research is "less statistical" in character than it actually is. In most cases, weak statistical signals are being promoted to a kind of "near certainty". So the right solution is for everyone to be more appreciative of the statistical method, not less so!
And that's the memo. -
10NTC Science Fair Preview - Giveaways, More Giveaways and Free Apple iPads
[Nonprofit, Social Media] (NTEN: The Nonprofit Technology Network)The program book has gone to print, the Miss Piggy costume has arrived, and the registration numbers keep rising. We're only 20 days away from the 2010 Nonprofit Technology Conference -- but who's counting? Just like in past years, we'll be kicking off the 10NTC with the Science Fair. This opening reception provides an opportunity to network with nptech professionals while checking out the over 100 exhibitors showing off their latest and greatest offerings to the nonprofit sector. Oh, a ...
The program book has gone to print, the Miss Piggy costume has arrived, and the registration numbers keep rising. We're only 20 days away from the 2010 Nonprofit Technology Conference -- but who's counting?
Just like in past years, we'll be kicking off the 10NTC with the Science Fair. This opening reception provides an opportunity to network with nptech professionals while checking out the over 100 exhibitors showing off their latest and greatest offerings to the nonprofit sector.
Oh, and did we mention there will be prizes? Lots of prizes. We'll be raffling off an Apple iPad, solar cell phone chargers, a t-shirt that lights up when it detects a wi-fi signal (how convenient!) and a gaggle of books by nptech superstars. Just pick up one raffle ticket at each booth you visit -- the more raffle tickets you collect the more chances you'll have to win.
The Science Fair doors will open at 3 pm on April 8, 2010 at the OMNI Hotel in Atlanta.
Check out more awesome giveaways and highlights from a sampling of our exhibitors below. Oh, and just in case you want to plan your prize route, here's a map.
501 Technology, LLC in booth 80
Visit the 501 Technology booth and enter to win an app from our MoblityCMS platform for your non-profit organization. Download the NTC app developed by 501 Technology to make the most of your NTC 2010 experience. Increase your mission-focus with 501 Technology. Strengthen the bottom line of your nonprofit by providing world-class online solutions.
American Registry for Internet Numbers (ARIN) in booth 39
We will be raffling off an iPod Touch at the booth. Any attendee can fill out the form provided at the booth for a chance to enter.
Aqubanc in booth 58
Aqubanc will give away two replica models courtesy of Diecasm (www.diecasm.com).
Azavea (formerly Avencia) in booth 54
Stop by booth #54: Azavea (formerly Avencia). We're a GIS software development firm, and we'd love to share with you how you can use the power of geographic information systems -- beyond just displaying dots on a map. It doesn't have to be difficult or even expensive; it can even be free. Want to know how non-profit organizations are using geographic analysis and the power of maps to support their missions, report to stakeholders and funders, apply for grants more effectively, or conduct fundraising and marketing gap analyzes? Interested in knowing how to prioritize resources, analyze a donor database, create mobile applications or visualize community indicators? We can help you with that ... and if you want to talk about how to display stuff on maps and create effective Google Map mashups, we can do that too!
Better The World in booth 46
Visit Better The World at booth 46 to take a quiz for your chance to win an Apple iPad (that’s right – an iPad!).
Bicknell Information Group in booth 75
Stop by Booth #75 to visit Little Green Light (online donor management) and drop your business card off to get a chance to win a Flip HD video camera. We'll pick the winner after the Science Fair, and be in touch on Friday, 4/9.
Call 2 Action in booth 88
Call2Action's Spark™ combines video with action tools in one shareable widget. Stop by Booth 88 at the Science Fair and film your own video for your limited edition NTEN Spark™ to syndicate your Tweets, share on Facebook with friends, and create your own Pledge. Learn more at www.call2action.com BONUS: If your NTEN Spark garners the most views, we will give away a fully functional spark to the charity of your choice.
Care2, Inc. in booth 22
Care2 will be giving away a brand spanking new Apple iPad at their Science Fair booth!
Anyone who stops by will be entered in the drawing to win this magical and revolutionary device!
Causemunity in booth 70
Causemunity.org provides easy solution to your fund-raising needs through micro-donations. It's completely free to your organization, and to your members as well! Please stop by Booth 70 for details. And if you sign up your organization with Causemunity, you'll have chance to win a brand new Wii game console!
ClientTrack in booth 53
When NTC2010 is over, will you have enough space in your luggage for a new Sonicare toothbrush, a shiny web cam, a nice digital camera, or maybe even a new NetBook computer? Stop by the ClientTrack booth, and you could win any one of these items. (Without divulging too much, all I am permitted to say about how you can win is this: “Remember, your llave is the clave; no llave, no clave.”). So, when you’re getting ready for NTC2010, you may want to leave a little bit of wiggle room in your suitcase…just in case you have to pack it home with a little something extra from ClientTrack.
Convio in booths 107 & 108
Convio will be giving away an Apple iPad and also coffee in our booth during the Science Fair. For the duration of the conference, attendees can swing by the Convio booth for a coffee anytime as well.
Democracy In Action in booth 11
Democracyinaction will be giving out Salsa tattoos at our booth
DonorPerfect/Softerware, Inc. in booth 38
Stop by DonorPerfect's booth #38 for information on our fundraising software, rated Top Ten in N-TEN/Idealware's "A Consumer's Guide to Low Cost Donor Management Software". Get answers to your questions, brochures and demos, and some free giveaways!
Event 360 in booths 109 & 110
Event 360 helps nonprofits use the art and science of event fundraising to build and deliver powerful experiences that drive giving, loyalty and awareness. Stop by the Event 360 booth to meet our team, learn about our online toolkit and enter to win an iPod Touch! Our Event 360 architects will be on hand throughout the conference and are looking forward to discussing your event fundraising plans with you
Exponent Partners in booth 5
Exponent Partners provides Salesforce.com services and solutions for high performing nonprofits. Please come by our booth to learn more about how we help nonprofit organizations become more efficient and effective by using technology to streamline and enhance their business operations. Booth Give Away: Win one day of Salesforce.com consulting! Visit booth #5 at the Science Fair to enter the draw.
Greater Good Network in booth 50
Looking to build your e-mail list? Receive up to 1,000 contacts free from a petition posted at GreaterGood Network's Take Action Center: a great way to connect with people supporting your cause. Stop by the booth to learn more about this risk-free offer.
IdeaEncore Network in booth 74
On your hard drive, right now, you have a program plan, a policy, a template, a resource guide or tool that one of your colleagues is looking for. At the IdeaEncore Network (http://budurl.com/NTN03Z ) (booth (#72), you can learn how to share it – and in the process magnify your mission impact while, potentially, creating earned income for your organization.. Stop by the booth to enter a drawing to win a $50 credit toward resources from IdeaEncore Network (http://budurl.com/NTN03Z), a nonprofit knowledge sharing marketplace.
Idealist Consulting in booth 6
Stop by our booth for a candy bar and a chance to win an iPod Shuffle or an iTunes gift card.
Learn about our NPOrganizer Starter Pack includes Web Site Development and CRM all for $2000
IdealWare in booth 63
Idealware will be raffling off 3 copies of our recently published Field Guide to Software for Nonprofits: Fundraising, Communications & Outreach. Anyone who signs up for our eNews letter at our Science Fair booth will be eligible to win!
iWave Information Systems Inc. in booth 77
We will be giving away a free 1 Month Subscription (up to 3 user licences) to our service Prospect Research Online (Valued at $325). Must come by our booth to receive a ballot.
Jigsaw Meeting in booth 84
Jigsaw Meeting emulates face to face meetings that encourage participation by allowing attendees to interact with you and your meeting data. With multiple interactive and accountability features we make passive listeners active participants for solid meeting results. Come see us and experience it for yourself. We will be giving away a selection of gift cards worth $100 to some of your favorite retailers.
MemberHub.com in booth 62
Would you like to enhance communication in your small-medium size nonprofit? Then stop by the MemberHub booth and learn more about their service. MemberHub.com offers communication tools like mailing lists, group calendars and text messaging to empower nonprofit staff and group leaders to get organized in private online hubs. Matt and Loren are really looking forward to speaking with you.
Microsoft in booths 105 & 106
Come play with some cool new tech tools at the Microsoft booth (free drink tickets)! Demo Windows 7 on Multipoint Server 2010, a new Windows product that allows multiple users to simultaneously share one computer. Enter to win a Netbook loaded with Windows 7!
MWare Inc. in booth 25
MWare will be showing a live demo of the latest version of Event Control, our online fundraising and event management software.
Network for Good in booth 47
At the Network for Good booth, in addition to goodies like online fundraising resources and coffee mugs we’re going to be giving away a number of copies of our last eBook created in conjunction with Sea Change Strategies (made possible by a grant from Event 360): Homer Simpson for Nonprofits: The Truth about How People Really Think and What It Means for Promoting Your Cause (A Guide to Behavioral Economics for Nonprofit Leaders). Katya Andresen, Alia McKee Scott and Mark Rovner will be presenting a session during NTC based on this book, so attendees will definitely want to get their hands on a copy!
O-matic Software in booth 76
We are offering a FREE Lite version of RecordRadar, a zip code segmentation tool for the Raiser’s Edge, and offering a FREE version of MagicFolder, a document storage and management tool for the Raiser’s Edge. These are available for anyone at our booth. In addition, we will be hosting a raffle for a $100 gift card and a free year subscription for the Premium version of RecordRadar, a zip code segmentation tool for the Raiser’s Edge. Two different winners will be picked!
Opportunity Knocks in booth 42
Opportunity Knocks will give away via a fishbowl raffle goody bag including OK promotional items of an umbrella, magic 8 ball and tote, leading nonprofit books from publishing partner Jossey Bass Wiley and 30 day Job postings for nonprofits to find superstar employees looking for Jobs that Change the World.
Partners for Change in booth 55
Raffling off an iPod at the Science Fair
PICnet in booth 86
The penguins will return to the NTC, and they'll be coming with the crew from PICnet to Atlanta for their 5th NTC showing! If you're interested in learning more about how to get a penguin this year, go to www.picnet.net.
Qgiv, Inc in booth 13
Qgiv’s booth will feature the following: Survey- Take a survey and claim your $200 gift card for use towards Qgiv or Elevate services by yours or any other organization. Qgiv General- Information on how Qgiv can help your organization accept online one-time/recurring donations and event registrations. Feature Set- Instant online examples of Qgiv’s functionality iPhone App Demo- Examples of how supporters of your organization can become mobile fundraisers through mobile phone applications.
Sage in booth 18
Swing by Sage's booth at the NTC 2010 Science Fair to enter for a chance to win a new Flip UltraHD camcorder. Learn about our fundraising and accounting solutions, available hosted services, and online donation tools for nonprofits of all sizes and enter the drawing for your chance to win!
Spinx, Inc. in booth 82
Spinx will give away one Apple iPad to the winner of a lucky draw among the Spinx Booth Visitors.
Spread Light, Inc. in booth 65
Our booth will be Interactive and visitors will be able to create dedication pages, light virtual candles, and make donations to the nonprofit of their choice.
is7 and 2DIALOG. in booth 32
Please stop by booth #32 (is7 & 2DIALOG) to become a YouTube video star and to enter our drawing to win a crazy cool Flip Video Camcorder of your own! While you're there, let us show you some of our online creative samples and our revolutionary eCommunications Suite that have both increased our nonprofit clients' income by optimizing their online donations! And before, during, and after the conference follow us on twitter @is7interactive #. See you in Atlanta!
StreamLink Software in booth 21
We will be giving away a 20” monitor valued at $150.00
thedatabank in booth 36
thedatabank is giving away a free Social Network Append data service ($150 value) to all organizations who sign up for and attend one of our online software demos.
ThePort Network in booths 103 & 104
ThePort will be raffling off an Apple Ipad
VisionLink, Inc. in booth 64
VisionLink brings particular expertise to the sectors of 2-1-1, information & referral, disaster relief, elder care, education and workforce development, homeless management, and volunteer and donation coordination. Importantly, our flexible technology lets you build the web sites, pages, forms, tabs and fields you need--all without any programming skills.
Winwin Apps in booth 37
Are you a 501c3 who will be visiting us at NTEN? You could win a thousand bucks for your non-profit. It’s easy – just stop by booth #37 during the tradeshow to register with us. Then use winwin apps to send an email out to your supporters requesting a $1 donation. (Be persuasive – you’ll get to keep whatever funds they donate.) At the end of the conference, the organization that has received the most donations through a winwin email will receive an additional $1,000. Not bad, eh? You can input your contact list from Gmail or Outlook and send a custom email, and you get to keep what you collect, so there are no strings attached. In other words, it’s a win-win. Which is just the way we like it.
Zuri Group in booth 2
Have you been wanting to develop a Facebook strategy? Stop at booth 2 and register to win a free Zuri Group Facebook strategy and badge design--a $3,000 value. While you're there talk with Zuri's Rich Levy about how clients like Dana Farber are using Facebook to grow their lists, increase support, and raise money.
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The Softer Side of Sustainability
[Green] (BFreeNews.com)Via GreenBiz - Why would the world's largest manufacturer of modular carpet be interested in systems thinking and education for sustainable living? An InterfaceFLOR executive says it's essen ...
Via GreenBiz - Why would the world's largest manufacturer of modular carpet be interested in systems thinking and education for sustainable living? An InterfaceFLOR executive says it's essen... -
The Softer Side of Sustainability
[Green, Social Entrepreneurship, Corporate Responsibility] ()Why would the world's largest manufacturer of modular carpet be interested in systems thinking and education for sustainable living? An InterfaceFLOR executive says it's essential for business leaders to address the technical as well as the softer side of sustainability when greening a company.
Why would the world's largest manufacturer of modular carpet be interested in systems thinking and education for sustainable living? An InterfaceFLOR executive says it's essential for business leaders to address the technical as well as the softer side of sustainability when greening a company.
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A Softer World: 540
[Comics] (A Softer World)back buy this print digg facebook reddit stumbleupon next ...
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Molyneux says Heavy Rain offers the 'first glimpses of the future' of games
[AOL] (Joystiq [PlayStation])If only Sony had waited until after the South by Southwest festival to release Heavy Rain, the publisher could have printed several glowing quotes from a known Xbox consorter on the back of the PS3-exclusive's game box. Oh, well -- there's always the "Game of the Year" edition. During a a one-on-one conversation with writer Frank Rose at SXSW this week, Fabled designer Peter Molyneux heaped praise on Heavy Rain, calling it "absolutely brilliant." "I recommend anyone who wants to start to s ...
If only Sony had waited until after the South by Southwest festival to release Heavy Rain, the publisher could have printed several glowing quotes from a known Xbox consorter on the back of the PS3-exclusive's game box. Oh, well -- there's always the "Game of the Year" edition.
During a a one-on-one conversation with writer Frank Rose at SXSW this week, Fabled designer Peter Molyneux heaped praise on Heavy Rain, calling it "absolutely brilliant."
"I recommend anyone who wants to start to see the first glimpses of the future of video games to go out and buy it," Molyneux advocated, before exposing his softer side to the audience. "But, personally, I could not bring myself to play more than 90 minutes, because the world that was there was so dark and so emotionally involving I felt emotionally beaten up." Aww, Mr. Molyneux ...
"But there's no question in my mind that games like Heavy Rain -- games that have a new fidelity in the way that they present their experiences; obviously made with cinematography and motion capture in mind -- can really show the way forward to a new form of entertainment, which is evolving the story and choices and consequences." Molyneux steadfastly declared, having apparently recovered from the painful memories of the game's early moments (perhaps cries of Jason? Jason? Jason! still faintly echoing in his head).
Molyneux also commended developer Quantic Dream's design choices, observing that the QTE interface "really meant that you had to pay attention all the time because you didn't know whether these quick-time events were going to come up"; though he noted that such gameplay mechanics "may be a little bit tired after a while." Still, he said, "I have to take my hat off to [Quantic Dream] ... There's a couple of things they do in that game which were really revolutionary, and what they do with quick-time is fantastic."
"Us designers were just laughing because we thought quick-time was dead, but that really was part of the drama of Heavy Rain."
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Molyneux says Heavy Rain offers the 'first glimpses of the future' of games originally appeared on Joystiq on Tue, 16 Mar 2010 19:00:00 EST. Please see our terms for use of feeds.
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The Random Thoughts Of Jack Be Nimble
[Dads] (Clark Kent's Lunchbox)Today I am very pleased to have Jack (Be Nimble) from Random Thoughts - Do They Have Meaning? Jack's been daddy blogging for a lot longer than myself, and he knows his stuff. What's more, Jack is an incredibly talented writer (I've embedded some links to some of his great posts), and I am thrilled he could do a guest post for the Lunchbox. When I was first given the opportunity to serve as a guest blogger here I wasn’t really sure how I wanted to approach it. Couldn’t decide if it was goin ...
Today I am very pleased to have Jack (Be Nimble) from Random Thoughts - Do They Have Meaning? Jack's been daddy blogging for a lot longer than myself, and he knows his stuff. What's more, Jack is an incredibly talented writer (I've embedded some links to some of his great posts), and I am thrilled he could do a guest post for the Lunchbox.
When I was first given the opportunity to serve as a guest blogger here I wasn’t really sure how I wanted to approach it. Couldn’t decide if it was going to be like the cameo appearances stars used to make on the Love Boat or Match Game.
In my mind there was a difference. The Love Boat was filled with people who had at one time been players but had fallen upon harder times and relegated to working on bit parts to try and save their careers.
Match Game was a different story. They had all sorts of cool stars who would make an appearance. Now mind you, that I am a child of the 70s and that this perspective is a little bit more than 30 years old and could easily be wrong.
We were given some basic guidelines one of which is that we are not allowed to praise our host. And I take direction seriously, especially from a man who tried to use a banana as a weapon. Of course he used it as a gun which is a bit different from my plan which would have been to use it in the most obvious fashion.
Yes, I would have eaten the banana and cleverly placed the peel beneath the unsuspecting heel of whomever needed to be taken out. Now I could lay claim to knowing better because the small difference in our ages has bestowed upon me additional wisdom. And I suppose were I a mommy blogger I might have done just that.
But I am not. I am a daddy blogger. I am part of a group of renaissance men who have formed a brotherhood whose driving principle is to support each other. We don’t’ care about race, color or creed. It doesn’t matter what your religious background is because we understand that one dirty diaper smells just as bad as another.
So we gather together in our various cyberspace domiciles and dole out advice and words of guidance to our fellow fathers. We share our strength and talk about sports and tell tales of how far we could run, how much we could lift and how many women are sad not to have been given the grace of our seed.
And we’re humble about it too.
In a crazy, mixed up world we do what has to be done and we make it happen…every…day.
It is not always easy being us. Some people like to take swipes and poke at us. They want us to do it all. Be a man like those we see on television. Strong, confident, masculine and what have you. And at the same time they want to see that softer side, the father who can sit on the floor and play with the kids.
Well, we really don’t worry about whether we can do it all because we are men. We don’t ask for directions because we never get lost. We just explore new sections of town that we have never been to.
We are experts at building things be it out of blocks Legos, or Lincoln Logs. We can take a Tinker Toy set and build a city or a siege engine. We can take the children for an afternoon and teach them valuable life lessons as derived from a nickel defense and so much more.
Yep, it is not easy being a man, but it sure is fun. Before I go let me leave you with one last thought.
2010 is the year of the daddy blogger.

You can also follow Jack on Twitter @TheJackB and become a Fan on Facebook
Advance copies of Sugar Milk are now available. Click here for details.
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New Forged (Yes, Forged) Ping Irons
[Golf] (Golf Rewind)New Ping "Forged" Irons Just found this on golftoimpress.com. WOW! Ping finally did it. PING ANSER FORGED - A REVIVAL It looks like the revealing of the new Ping Anser Forged irons has cause a bit stir in the golfing world and on lot of golf enthusiast sites around the internet. After posting about the new iron last Friday, we decided to head back to the Japan Golf Fair on Saturday and Sunday and got to take more pictures of the Anser Forged, talk to Ping Japan about it and give it a whirl i ...
New Ping "Forged" Irons Just found this on golftoimpress.com. WOW! Ping finally did it. PING ANSER FORGED - A REVIVAL It looks like the revealing of the new Ping Anser Forged irons has cause a bit stir in the golfing world and on lot of golf enthusiast sites around the internet. After posting about the new iron last Friday, we decided to head back to the Japan Golf Fair on Saturday and Sunday and got to take more pictures of the Anser Forged, talk to Ping Japan about it and give it a whirl in the hitting bays. FORGIVING FORGED CAVITY BACK... The Ping Anser Forged Iron is in line with a typical mainstream release in the Japanese market with a focus on the average golfer wanting a forged iron. Clubs in Japan are typically more expensive than other parts of the world, and picky Japanese golfers are more than willing to put down their yen for the latest and greatest forged iron. I spoke to a couple of reps at the Ping booth and they explained that they did not want to classify the Anser forged as a players cavity or or game improvement iron. The concept is a premium forged iron that is easy to hit for all levels of players. Not compact like a players/athlete model but not overly large like a GI model, rather something right in between that could provide something for everyone. PROGRESSIVE OFFSET... Physically the Anser Forged is smaller than the Rapture and Rapture V2 which had a much wider sole and slightly thicker top line. It is more along the lines of the i15 in both size and shape. Ping has noted that the Anser Forged Iron uses progressive offset going from more to less as the irons get shorter. This creates more ease of use in the long irons, allowing the player to square the club face easier. The offset shrinks as the irons get shorter to focus on control and touch. This ease of use concept mixes automatic/point and shoot long irons made for distance with workable short irons to attack the pin. HOLLOW TUNGSTEN SOLE... Ping uses a nickel Tungsten weight in the hollow sole to help place CG low and promote easy launch and a higher trajectory. The sole shape has flow reminiscent of the Ping Eye2 except of course with that tungsten weight sole. The back cavity features the elastomer Ping badge / Custom Tuning Port or CTP as it is known, which is to help on the Anser Forged with vibration and to add to the soft feel of the iron. FORGED FROM 8620 CARBON STEEL In Japan most forged irons are typically made of premium S20C steel or S25C steel and I had assumed this as well initially for the Anser Forged but was surprised to find out that Ping decided on 8260 Carbon Steel. Apparently 8620 Carbon steel is very close in physical properties to S25C Steel and share very similar density. Both can be forged to similar temperatures (S25C up to 2300F and 8620 up to 2200F). I can't recall using other Japan market clubs that were forged from 8620 so I was very curious as to how these would feel. PRETTY GOOD FEEL... I will stress again as I always stress on the blog about feel. It is completely subjective and there are many factors that affect the perceived "feel" of an iron. The quality of steel and forging process are only one part of the equation when it comes to feel. The design of the iron itself and the shaft it is paired with can have just as big an impact on how an iron feels. The Ping Anser Forged will be offered with Ping AWT and ZZ65 steel shafts as standard fare. The standard graphite shaft will be a TFC615i in Regular, Stiff/Regular and Stiff Flexes. Ping had on hand test irons with the Ping AWT shaft which are ascending weight as their name suggests. This is a good match for the Ping Anser Forged concept as the lighter weight and higher launching AWT long iron shafts fit the concept Ping is pushing with distance and forgivness in the long irons. The AWT gets heavier and launches lower as it gets shorter providing more control with the Anser Forged short irons, just as Ping designed the head to do. Hitting the AWT with Anser Forged was a pretty smooth combo. I am usually a graphite player so I love smooth and easy and the lighter weight softer flex AWT do fit the bill as they are under 100g. Why CTP? Overall pured shots were very soft feeling and credit Ping for not every using an undercut/pocket cavity in their irons as there is no clickiness to them. A couple of other testers asked the question why CTP if its a forged iron and the whole purpose of forged is soft feel in the first place, most likely with the concern that CTP may take feel away? The CTP is there to remove vibrations and supposedly enhance soft feel and while its tough to judge its affect in such a short time I would say they did a reasonable job on minimizing vibrations on off center hits. Whether they softened the feel its possible the feel actually becomes slightly muted by the CTP. Bottom line was this iron was pretty easy to hit. A nice smooth swing gave very rewarding sweet spot impact. APRIL LAUNCH = HIGH DEMAND So we are looking at an April launch for the Anser Forged and Ping has announced the MSRP both steel and graphite. As with most Japanese market premium forged irons, cost is not cheap especially with the Yen being so strong. Steel sets have a suggested retail of 1320.00 for 5-PW with graphite a 300.00 upgrade. We hope to price the set around the 1200.00 range for 5-PW with steel once we know what availability is like for us. As always with a hot demand product we would suggest pre-order otherwise you'll have to wait which is no fun considering for many these irons come out right at the start of the season. Look for the pre order in the pro shop soon! -
How to pass a programming interview with rusty skills?
[Q & A] (Ask MetaFilter)How to pass a programming interview with rusty skills? I've changed careers to research and haven't hacked in over a year and a half. I'm applying for everything that appears to match my skillset. However, the only job interviews I'm getting are for hacking-intensive posts, even though it's the less technical ones I'd expect to be getting interviews for. How can I get through these interviews alive? I'll explain in reverse chronological order. My research interest is in a niche technology ...
How to pass a programming interview with rusty skills?
I've changed careers to research and haven't hacked in over a year and a half. I'm applying for everything that appears to match my skillset. However, the only job interviews I'm getting are for hacking-intensive posts, even though it's the less technical ones I'd expect to be getting interviews for. How can I get through these interviews alive?
I'll explain in reverse chronological order. My research interest is in a niche technology which is named in my most recent job title. However, the nature of the project meant I spent all my time on end-product evaluation and administration, and none at all on software development. My friends and ex-colleagues told me to be very confident in my job search, because I have a great publication record and tons of achievements over a short time, and by golly they think I'm just great. That's nice to hear.
But the discrepancy between my job title and the actual work I did has been remarked on by every interviewer since then. I do have mastery of the technology itself, but the latest tools and related technologies I have no experience in and the concepts are fairly fuzzy.
It's worse. When I left my last permanent programming job in industry, before becoming a researcher, the main technology I'd been using was Microsoft Access with some Oracle. I had grown to loathe Access dearly (okay, handy for some things, but boring and doesn't pay well) and wanted to go back to working in Java or at least .NET. However I'd never used .NET commercially and had not used Java commercially in several years.
I had recently finished a Master's degree from a world-class university that was developed in partnership with a major tech company to meet the practical needs of industry. I learned about 10 new skills, consolidating each one with a 100-hour homework assignment based on what seemed to me realistic representations of common business scenarios. I earned high grades on each one. But of course none of these skills was any help to me in finding work, because I hadn't used any of them commercially, and recruiters and peers alike were completely scornful of any skill picked up at university rather than in the "real world". Not only was the Master's degree no help in finding work, I actually found myself being shoehorned into interviews for graduate schemes or junior roles, despite 10 years' industry experience.
So all in all it was very difficult to get interviews. But when I did, I then of course had problems answering questions about technologies I was rusty and/or inexperienced in. I laboriously read up and made notes and drilled myself for each interview, and I got better and better at predicting and answering questions as I went along. But even if I got every question right, it still wouldn't be enough as I would be up against candidates who also got every question right and had lots of experience. And it can be very hard to get every question right in tech interviews, because some of them are based on trivia. I found myself being questioned on topics I expected to ace because I'd been working on them for years and years, only to have the interviewer ask about an aspect of the technology I hadn't used much, and have to say "I don't know". On two occasions I even blew it because the interviewer used an unfamiliar piece of jargon for something I'd used day in and day out for years (I've had a few people report similar experiences, so I know I'm not imagining it.) It's hard to anticipate trivia like unfamiliar jargon, so chalk that up to fate. What's harder is how to allocate my time: do I spend precious time on details of very familiar technology when I also need to be learning enough to be secure with the less familiar stuff?
But it gets worse still. If each interview were only on one or two major topics, I could be confident that if I just kept plugging away, hacking up stuff at home and reading comprehensive texts, I would eventually know enough about each one to have a good shot at the next interview.
But each job ad invariably specifies a stack of at least a dozen technologies. I have tried brushing up on those listed as "essential" but it always turns out that they ask detailed questions on the "desirable" ones too, which I may or may not be able to answer. I have tried getting a grasp of what I think are the salient features of each "desirable" or more granular technology, but the interviewer's idea of the salient features, and mine, may differ - and they could ask me ANYTHING. I've resorted to memorizing APIs beforehand because I know I might be questioned down to the syntax level, but that doesn't protect me from the kind of interview where I'm expected to write AND COMPILE code with Help disabled and no net access.
I did finally find work in industry. And then I went into research and I thought I'd put this kind of thing behind me.
Instead it actually seems to be worse. At a recent interview the ad listed just four technologies, and I was already familiar with all of them. Better still, my speciality was listed as one of the "desirables". I cracked my knuckles and set about brushing up on everything I possibly could on all the technologies I knew well. I read the papers produced by the department interviewing me until I had a thorough grasp of their activities. I crammed in as much domain knowledge as I possibly could.
I went in with a big smile on my face and was immediately asked about a related, but completely different technology not mentioned in the job ad and not within my experience. Ironically, I'd been reading up on that exact topic for an interview the month before - but from a different angle. I certainly didn't know the exact steps for implementing it, which was what they kept asking me. Asking me over and over again. I scraped up parts of the answer from what I remembered of my reading. But they didn't want parts of the answer. They wanted the answer, the whole answer, and nothing but the answer.
Then they asked me about ANOTHER technology stack - comprising about a dozen subtopics - that, again, was not mentioned in the job ad. The awful part was that some of these subtopics were mentioned on my CV - but only as context for a very short-term job I held two years ago. I was totally unprepared to answer these questions and wouldn't even have applied if they'd been listed on the ad.
The hat-trick was when they asked me the name of a process in *nix. I don't know *nix. I don't apply for jobs that require experience in *nix. Of course, the job ad didn't mention *nix.
And then they finally got around to the technologies they had mentioned in the ad, that I did know something about, and about which I was prepared to answer questions. By this time I was so paralytic with fear I flubbed those questions too even though I knew the answers full well.
In my horribly extensive experience, as I said, even getting every question right isn't enough. It takes at least 10 seemingly "perfect" interviews (i.e. I know I got every question right and I very often get excellent feedback but they picked someone with a better experience fit) for every one job offer.
The only problem is that I don't see how I'm going to get the 10 "perfect" interviews I need before I can get that one job offer. Last time I was jobhunting, I had interviews every week or two. In this market, I've been looking for FIVE MONTHS and had a grand total of TWO interviews.
I don't want to drop out of research when I was enjoying it and doing really well at it.
I am looking at shorter contracts in industry to keep me going. Or even longer contracts. Or anything really. But they're just as hard to get.
Changing job titles to something that leverages my related/softer skills but requires less programming is possible, but the trouble is my experience either is insufficient or is presumed inefficient by recruiters because I don't have those job titles already on my CV. For example, I've picked up a number of project management techniques along the way, but I've never been a project manager, am not qualified to be one, and indeed don't want to be one (I would if I had to, but). I've done small-scale administration for databases with <10 users, but I'm certainly not a DBA and would need large-scale enterprise experience as a DBA before I could consider applying to become one. I've led end-to-end development of systems from requirements through testing through release, but again only for <10 users. I have no accounting knowledge so can't become a business analyst. Etc, etc.
The only jobs I've been hired for over the last few years are ones where few or no technical questions have been asked, or else I was given the questions beforehand and told to prepare a presentation. Interviews of this kind are so rare I can't count on ever having another one.
So, I know that's a long ranty whiney exposition, but it leads me to my actual questions.
1. Given that I've now not done any hacking in at least a year and a half, how can I bring my technical knowledge up to the point where I have a reasonable chance of achieving a "perfect" interview?
2. In current market conditions, how can I get the 10-15 "perfect" interviews that experience tells me I need in order to get one job offer? Due to family commitments I can't relocate. -
Concept Art: Create a Sci-Fi Interior Using Digital Painting Techniques
[Photoshop, Web Design] (Psdtuts+)Artists often draw rough sketches of their artwork before they begin to add the final touches. This is also true for digital painters who will draw a rough sketch in Photoshop before they begin work. In today’s tutorial we will show you how to polish a rough sketch of a sci-fi drawing using digital painting ...
Artists often draw rough sketches of their artwork before they begin to add the final touches. This is also true for digital painters who will draw a rough sketch in Photoshop before they begin work. In today’s tutorial we will show you how to polish a rough sketch of a sci-fi drawing using digital painting techniques.
Note for Mac Users
Hotkeys containing “Ctrl” can simply be replaced by the “Command” button on a Mac version of Photoshop.
Step 1
It’s important to establish a good foundation to our concept, so lets lay out some perspective lines with the Brush Tool (B) on a (roughly) widescreen canvas. The canvas size is not important at the moment because we’re just roughing out a composition – sizes can be modified on the go. It’s often a good idea to draw line art on a New Layer (Ctrl+Shift+N) so we can separate the line art to everything else, such as the background. To keep things neat we can rename the layers by double-clicking the layer’s text in the Layers palette.
Step 2
The perspective seems to swallow everything to the right – not very effective for showing off a nice, tall interior. Let’s re-draw the perspective lines to give the floor fuller squares. This will give the illusion of a more top-down view, allowing us to convey deeper and more spacious architecture.
Step 3
Currently the image’s perspective is two-point. Adding a third, vertical perspective will give a composition a more dynamic feel and push for a vertigo look. Using multiple layers or painting everything on a single layer both have their own perks – experiment and see what works for you!
Step 4
To make it easier to see our sketch we can knock the line art’s opacity down in the layers palette. However, in the case of the example below where everything is merged into a single layer, we can use the Paint Bucket Tool (G) to fill in a neutral color on a New Layer (Ctrl+Shift+N) and pull the opacity back a little to see the line art underneath. Now we can begin sketching out our ideas on a new layer. If you need more room to paint, adjust the canvas size on the fly using the Crop Tool (C).
Step 5
As the piece already has a nice walkway as the main attraction, we need some sort of foreground element to set the distance and give the viewer some familiar grounding to be watching the walkway from. The canvas is also flipped using the Image > Rotate Canvas > Flip Canvas Horizontal command. Flipping the canvas lets us see any mistakes that we may have been previously too zoned in to see. Now have a nice coffee break… Unless you’re hardcore, otherwise please proceed.
Step 6
Other elements such as the background are to be added, keeping the forms rough. We should ideally get in all the large and important forms to see what works on a general level, finer details can come after. By not disrupting the tall architecture on the left, we’ll utilize the height of the environment to give the structure a regal look. To accentuate the throne or chair on the isolated structure to the left, we’ll put in some circular architecture to make a statement with the shapes. This is a clever way to extract elements of the composition using simple design language. By repeating shapes such as the inlets and balconies on the right, we can help portray the scale of things when they repeat into the distance.
Step 7
If you’re happy with the line art, use the Image Size (Ctrl+Alt+I) window to bump up the pixels. I change mine with print in mind, so around 4000 width is ideal. Now we can start coloring within the lines. If the line art is on a separate layer, it makes coloring much easier since we can color under the line art layer neatly. A great way to color gradients behind elements as shown in the example below is to paint on a New Layer (Ctrl+Shift+N), then create another new layer above that and Alt-click in between them (shown below). This allows us to paint on the top layer while preserving the transparency of the layer underneath it. That was a bad explanation… which is even more reason to let loose and experiment yourself!
Step 8
The green area below shows part of the painting that we’ll make darker due to it catching less light. Notice that the closer the environment is, the darker and more saturated it appears; this is because of the atmospheric fog that builds up over greater distances – an incredibly useful technique to illustrate epic distances. Let’s not forget to flip the canvas horizontally now and again, even when roughing out our colors.
Step 9
Adding a red carpet or design on the path is another great way to show distance of elements. Here we can use the red carpet to bridge the side platform and main walkway structure. Now is the perfect time to lay down the main colors and light sources. Remember to work the entire painting and not get bogged down in detailing. Concentrating on one small area to perfection will disconnect us from the rest of the painting and rendering the entire painting to perfection will likely take far too much time for it to be worth it. We just need to establish the composition using color, lighting and space to a readable level and it should make for a successful piece. Working the entire painting will also keep the piece together and will be presentable to the client at earlier stages should they need it unexpectedly. As we did repetition in step 6, repeating the carpet in the distance helps sell the scale and suggest how far back it is.
Step 10
Now to define some of the elements a bit better – we can give the illusion of lights from a further space to achieve this. Harder brushes generally give more texture and life to a painting, but using a soft brush for volumetric lights such as the example below is very effective.
Step 11
A square brush will give us some much needed visual repetition for the stairs, so we’ll Right-click on the canvas to bring up the Brush palette, then Left-click the triangle on the right to bring up additional options and choose Square Brushes. These are default brushes that come bundled with the software package so it’s a much better idea to explore your own or look online for royalty-free, custom brushes. You can learn about creating custom brushes in great depth at Photoshop’s Brush Tool – Basic Guide by Alvaro Guzman.
Step 12
Play about with the spacing in the Brushes (F5) window until the thumbnail stroke below is what we’re looking for – something that is somewhat reminiscent of a staircase edge. In the example below, the square has been flattened slightly by the highlighted point and adjusted using Left-click. Experiment with the other parameters to see what suits you.
We can save the brush to use later by Right-clicking the canvas, Left-clicking the triangle and choosing New Brush Preset. Name the brush and it’ll be on the brush palette to use another time.
Step 13
Clean up anything standing out to keep the order of elements clear. We’ll highlight some edges too, just to bump up the definition to clearer values.
Step 14
Working around other areas of the painting – the green rim-light we did in Step 10 worked quite well, so let’s try that effect along the underside of the platform, too. We don’t need to make any lights too bright just yet – the extreme contrast values are very powerful, so let’s save them for later. By staying in the mid-range for a bit longer, we have more space to play around with the lighting of the composition without anything set heavily in stone. Notice the Navigator window is also up (Window > Navigator), this gives us the thumbnail view of the painting so we know what it looks like in the bigger picture while working zoomed in.
Step 15
If we paint a particular element on a new layer such as the green fog below, it gives us the flexibility to make changes to the layer using the Hue/Saturation (Ctrl+U) tool. Checking the Colorize option will allow us to give brighter grayscale values some color simply by lowering the Lightness parameter.
Step 16
Similarly to the treatment on Step 8, let’s darken the wall a bit to illustrate the absence of light. The green in the example is just to show where it is painted. Some gold has also been thrown in to compliment the red tones for a regal look to match the tall, elegant pillars. We could simply float anything we want to, but using pillars will ground the architecture in a believable way, giving the viewer something to acquaint themselves with if this were in the real world.
Step 17
The general composition uses a lot of cooler tones, so we can give the main walkway some warmth to stand out, suggesting to a natural light source. Test out some layer modes and colour combinations to see the effects and how they suit your own composition. In the example below the layer mode is changed to Overlay and the opacity is lowered so it isn’t too visible. If the effect isn’t strong enough, there’s always the option to brighten things up when polishing our piece up near the end.
Step 18
Let’s re-inforce the edges some more and put in some secondary light sources.
Step 19
To introduce some sci-fi elements, new lines drawn on a new layer can be controlled by choosing the Move Tool (V) and dragging individual corners of the Transform Box by Ctrl+Left-clicking. Alternatively, we can use the Free Transform Tool (Ctrl+T). Having control of the corners allow us to apply the lines how we like into the perspective we want.
Step 20
Looks OK! Let’s try adding the same effect to the side platform, too.
Step 21
The platform looks quite bland and dim-lit. We could try lighting the place up with some civilian lights using the brush at a softer setting. Right-click on the canvas while using the Brush Tool (B) to adjust softness on the fly.
Step 22
At this point in the example, my computer blacked out from a power cut… But it doesn’t matter the work was saved! Remember to save with Ctrl+S or File > Save. This point was also when I noticed that the perspective was slightly off – it’s never too late to make changes! (Unless there’s no time left) Drawing new perspective lines on a separate layer makes it easier to remove when we’re done with them.
Step 23
Now we’ll paint in the floor correctly. By hand-painting and working on one layer as opposed to using a plate of tools will probably double your drawing practice at least, so it’s important not to get too caught up trying to use the latest features for these things – those tools will only barely nudge your foundational abilities so far when conceptualizing designs. That being said, you can use the Polygonal Lasso Tool (L) to make straight-edged selections using Left-click
Step 24
As the eye is lead along the walkway, it needs some sort of visual reward as opposed to a plain floor and dead end. We’ll experiment a bit by throwing in some more levels of architecture – simple pedestals for now to test the creative waters.
Step 25
If we observe older open architecture that has had its fair share of rust, wind and debris, it’s usually not in spectacular shape. If we keep everything clean using selection tools and perfect fills the painting will look very digital, so roughing up edges or surfaces will give the painting some more authenticity and believability.
Step 26
Adding statues and setting their poses up for weapons could very much suggest some backstory. By drawing it on a pedestal, it’s almost part of a reward for guiding our viewers down what would otherwise be quite a boring floor (with a nice red carpet). We’re also setting the colors up to be in the gold or bronze ranges to match up with the banners around the set.
Step 27
To make the highlights on the statues ‘pop’, we can brush some lighter values on a separate layer set to Overlay. It’s very hard to predict what your layer will look like without changing it to Overlay first and experimenting with it. Don’t forget to zoom out/horizontally flip the canvas and check how it looks as a whole composition, not just as detailed sections.
Step 28
Now to add a weapon to suggest story elements, a tail to guide the viewer directionally and some arrows in it to make it look cuddly. Let your creativity loose! Let’s throw in some more red carpet just for good measure.
Step 29
We’ll draw the stairs back in using the brush we made in step 12. Suggesting the edge of the stairs is probably the fastest way to draw stairs without needing to be accurate. The measurement accuracy of the stairs isn’t important – only that we can sell the idea of stairs there and that their colour/lighting helps to achieve this.
Step 30
Let’s draw some lines where the viewer would see less light; this will reinforce the form of the stairs.
Step 31
This is a great chance to add some atmospheric fog over the further distances such as the circled areas in the example below. The walkway spotlight has also been emphasized more by painting darker values around it. Finally the figure to the left was almost black, washing out other dark values throughout the painting – simply knocking it back a little pulls the composition’s share of values together a bit more. We’ve also placed some human-sized figures around the set so the eye can relate to the scale of things.
Step 32
We can make a color adjustment now by changing the layer mode to Color and brushing any color over the layer underneath – in this case, blue. In doing so, all the values underneath that will be influenced towards the blue range, where 100% blue values will change all the values beneath it to the blue range.
Step 33
Finally let’s give the image a border to frame it presentably. First make sure our background color is what we want our border to be, then open up the Canvas Size (Ctrl+Alt+C) window. Use a value of 50px for both the Width and Height parameters (choose Pixels on the drop-down menu) and make sure the Relative option is checked. If left unchecked, it will actually change the canvas to 50px by 50px as opposed to add an additional 50px around the existing canvas size. If the Canvas extension color is set to Background (default) then choosing OK will give our image a 50px by 50px border.
Step 34
… Time is up, sign your piece!
Conclusion
In the case of more time, you can keep on adding gritty details and story elements to the composition to give the piece more realism and believability that it would be a viable set in real life. However, to reflect the amount of time spent on this, the concept should suffice for a presentable ground to work from in a fast production environment. If you’ve captured the concept of the interior space you’re trying to convey, the client can take the piece off of your hands at any time. Working over the whole painting simply gives you the ability to add details once the concept is “captured”. There’s no special tools in the latest software trends to draw a presentable piece – all you need is time. Experiment and practice your fundamental knowledge of composition, lighting and color with every piece, I hope you learned something useful from reading this wall of text!
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Circle Gets the Square
[Design, Marketing] (Brand New)It's been fifty years since Chermayeff & Geismar unleashed their modern Chase logo on the stodgy, unsuspecting world of bank branding. They were unique to suggest an institution like Chase use an austere, geometric and non-literal symbol as their mark. To help celebrate this momentous anniversary Chermayeff is launching their newest creation, the redesign of the Bank of Taipei brand—half a century later—with another four-sided trademark, this time with softer shapes and a softer ...
It's been fifty years since Chermayeff & Geismar unleashed their modern Chase logo on the stodgy, unsuspecting world of bank branding. They were unique to suggest an institution like Chase use an austere, geometric and non-literal symbol as their mark. To help celebrate this momentous anniversary Chermayeff is launching their newest creation, the redesign of the Bank of Taipei brand—half a century later—with another four-sided trademark, this time with softer shapes and a softer shade of blue. -
AUGUST IN THE WATER: Retro Review
[Movies] (Twitch)Things have gone rather quiet around director Sogo Ishii. His latest film dates from 2005 and didn't exactly enjoy a broad release (still eagerly waiting for the DVD myself). A terrible shame, though it does give one the chance to catch up on some of his older, lesser known films. And so I sat down in front of August In The Water, one of the hidden gems, yet to be discovered even by most fans. Even more so than Shinya Tsukamoto, Sogo Ishii is the godfather of Japanese punk cinema. Cra ...
Things have gone rather quiet around director Sogo Ishii. His latest film dates from 2005 and didn't exactly enjoy a broad release (still eagerly waiting for the DVD myself). A terrible shame, though it does give one the chance to catch up on some of his older, lesser known films. And so I sat down in front of August In The Water, one of the hidden gems, yet to be discovered even by most fans.
Even more so than Shinya Tsukamoto, Sogo Ishii is the godfather of Japanese punk cinema. Crazy Thunder Road and Burst City put punk on the map a decade before Tsukamoto could even get started on Tetsuo. But Ishii also has a softer streak, put to maximum effect in Kysohin, his latest film. An ode to nature and humanity, far away from all the grit, dirt and noise so often featured in his films. Kyoshin seemed to be a serious shift in styles, but looking at August In The Water it seems he was merely revisiting themes already present in his earlier work.
August In The Water is a pretty strange mix of styles and genres. The film is part romance, part fantasy, part sci-fi and part coming of age with some meandering philosophy throw in. The balance between all these elements can be a little off at times but as a whole Ishii makes a pretty compelling film out of all this. There are still many links to his other films, but the resulting film is something completely different.
Everything starts when Izumi transfers schools and meets up with Ukiya. The first half hour is spent on their blossoming romance, but little by little the strange events surrounding their town are taking the forefront. A strange drought is started by two meteorites crashing on a nearby mountain, bringing with them a strange disease that turns people's internal organs to stone. Somehow Izumi and Ukiya end up in the middle of it all.
There's not much of Ishii's punk aesthetic left in August, but his keen eye for textures and architecture is still very much present. There are numerous impressive wide shots, abstract close-ups and neatly edited scenes that betray the hand of Ishii. Especially one sequence at the start of the film shot during a diving competition jumps out as the work of the cinematic master. On the whole not as direct and in your face, but hardly less impressive.
Even more so than the visuals Ishii lets the soundtrack do all the hard work. Dropping the punk sound completely he picks up an ambient soundtrack that gives the film a warm yet eerie atmosphere. The soundtrack really is the key to combining all the different aspects into one coherent film, making it a 120 minute trip into his surreal world. Acting is pretty decent, though some characters come off as a little silly. It's not the strongest cast, but the main characters are solid enough to keep the audience involved.
The first half hour is there to set the mood, from then on the film becomes gradually stranger and more unsettling. Never in a very direct or extreme way like Ishii's other films, but on a more subconscious level. The combination of the strange events, detached setting and ambient soundscapes reflect Ishii's typical trademark style and at the same time contradicts it just as much.
Fans of Sogo Ishii, and in particular Kyoshin, should do well to check out this film. It's probably one of his most accessible films, though there is still plenty of wonder and authorship to be admired. Without a doubt one of my favorite directors, with the ability to sculpt both subtle and extrovert films without losing any of his stylistic power. Definitely recommended. -
A Softer World: 539
[Comics] (A Softer World)back buy this print digg facebook reddit stumbleupon next ...
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Black presidents and women MPs do not alone mean equality and justice | Gary Younge
[Guardian] (News: Main section | guardian.co.uk)Representation is a start, and an important one. But equal opportunities should be pursued above the photo opportunitiesDuring a recent playdate, one of my son's white four-year-old friends looked up from Thomas the Tank Engine and pointed out the obvious. "You're black," he told my son. As a parent, these have never felt like particularly teachable moments. Toddlers have plenty of time ahead of them to acquire anxieties, affiliations and attitudes about race. But what they see primarily at thei ...
Representation is a start, and an important one. But equal opportunities should be pursued above the photo opportunities
During a recent playdate, one of my son's white four-year-old friends looked up from Thomas the Tank Engine and pointed out the obvious. "You're black," he told my son. As a parent, these have never felt like particularly teachable moments. Toddlers have plenty of time ahead of them to acquire anxieties, affiliations and attitudes about race. But what they see primarily at their age is not race but difference – a fact that need prompt neither denial nor panic, rebuke nor rectification, unless some derogatory meaning is attached to that difference.
When my son looks to me for a cue, my aim is not to interrogate or chide but to acknowledge and deflect. In the past, I have said: "And what colour are you?" or "And you are white". But this time new material came to mind. "That's right," I told them both. "Just like the president."
This was the long-presaged moment I had been warned to prepare for. My son was born on the weekend that Barack Obama announced his candidacy. Since then, people have been telling me that his presidency would mean great things for my son. Indeed, this was one of Obama's privately stated aims. When his wife Michelle asked what he thought he could accomplish if he became president, he said: "The day I take the oath of office, the world will look at us differently. And millions of kids across this country will look at themselves differently. That alone is something."
True, it is something. But when Thomas is safely back in the station and the moment is over, it is not very much. Because for all the white noise emanating from the Tea Party movement, it has been black Americans who have suffered most since Obama took office. Over the last 14 months the gap between my son's life chances and his friend's have been widening. Unemployment, which has held steady in the rest of the country, is still rising among African Americans and stands at almost twice that of white people. For black teens, unemployment is 43.8%. Meanwhile, foreclosures among African Americans are increasing almost 50% faster than for whites. At this rate, my son will certainly look at himself differently after Obama's presidency – and not in a good way.
This could legitimately be the starting point for an indictment of Obama's presidency. Certainly if a Republican president were behind statistics like this, few liberals would be offering him or her the benefit of the doubt. But like most other criticisms of Obama, particularly regarding the economy, you would have to make the case that another viable contender could have produced better results in the same circumstances. He entered in a moment of freefall. Calling on him to provide a softer landing or a parachute is one thing. Demanding that he suspend the rules of gravity is another.
I think that case could be made, but it is not the argument I'm making here. The fact that the first black president is presiding over deepening racial disparities is just one of the more potent illustrations of how the relationship between identity and electoral representation has become untethered from broader social, political or economic advances and rendered purely symbolic. The corporate model of diversity, which seeks to look different and act the same, has firmly stamped its imprimatur on a kind of politics that owes more to Benetton ads than black advancement. Where we used to seek equal opportunities, we have now become satisfied with photo opportunities – a fact that satisfies some liberals, annoys most conservatives and does little, if anything, for the lives of those whose interests are ostensibly being championed.
"We have more black people in more visible and powerful positions," Angela Davis told me before Obama won the Democratic nomination. "But then we have far more black people who have been pushed down to the bottom of the ladder. When people call for diversity and link it to justice and equality, that's fine. But there's a model of diversity as the difference that makes no difference, the change that brings about no change."
This is not just true for race. India's upper house last week passed a bill to reserve a third of all legislative seats for women. Given that India ranks 99th in the world for female representation, this would make a significant difference to the Indian parliament if it becomes law. The prime minister, Manmohan Singh, described the vote as a "historic step forward toward emancipation of Indian womanhood".
Not necessarily. There is no absolute causal link between gender representation and gender equality. Six of the countries that rank in the top 20 for women's representation are also in the top 20 for per capita rapes. Meanwhile, a global gender gap index, compiled by the World Economic Forum, which assesses how countries distribute resources and opportunities between the sexes, reveals glaring discrepancies. Angola and Nepal, which stand 10th and 17th respectively in terms of representation, are 106th and 110th in terms of equality. Ireland and Sri Lanka, which rank eighth and 16th respectively for equality are 87th and 125th for representation. In 2008, two female party leaders locked horns in elections in Bangladesh, producing the second female prime minster for the country in a decade. According to the WEF, gender inequality in Bangladesh is bad (it is 94th) and getting relatively worse (in 2008 it was 90th).
This does not undermine the campaigns for more diverse political representation but should sharpen the arguments that support them. Representative democracies that exclude large sections of the population are not worthy of the adjective. Nor should the power of symbolism be underrated. Black Americans may have fared worst under Obama, but they are also the most likely to approve of his presidency. A Pew survey released in January showed the highest number of African Americans believing they are better off now than they were five years ago – even though economically they are not.
Moreover, in most cases difference does make a difference. While there may be no black or female experience, evidence suggests that a critical mass of certain groups can have an affect on outcomes. A 2008 study in the Columbia Law Review discovered: "When a white judge sits on a panel with at least one African-American judge, she becomes roughly 20 percentage points more likely to find" a voting rights violation. A 2005 Yale Law Journal study revealed not only that women judges were more likely to find for plaintiffs in sexual harassment cases than men, but that the presence of female judges increased the likelihood that men would find for the plaintiff too.
The fact that five of the 10 countries with the highest female representation are also in the top 10 for gender equality is no mere coincidence. Since the push for parliamentary parity is often part of a larger effort surrounding equal rights, greater representation is more likely to be the product of progressive social change than a precursor to it. The relationship between identity, representation and equality is neither inevitable nor irrelevant, but occasionally contradictory and always complex.
It's comforting to know there are simple words of racial reassurance I can tell my son when he's three. It would be even better to imagine that he would not be in need of that kind of reassurance by the time he reaches 23.
Gary Younge's book Who Are We and Why Does It Matter will be published in June
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Q&A About the New FC!
[Sex] (Scarleteen)In case you haven't already heard, the female condom (FC) has had a recent redesign. Yippee! (And how much do I love "put a ring on it" as a slogan for female condom use? I love it a whole lot.) I was able to catch up with Mary Ann Leeper, the Female Health Company's Senior Strategic Advisor and past President/COO to ask her a few questions people seem to have about it. Check it out! The FC has recently been redesigned! Can you tell us about the changes? What’s new about the FC2 condom is th ...
In case you haven't already heard, the female condom (FC) has had a recent redesign. Yippee! (And how much do I love "put a ring on it" as a slogan for female condom use? I love it a whole lot.)
I was able to catch up with Mary Ann Leeper, the Female Health Company's Senior Strategic Advisor and past President/COO to ask her a few questions people seem to have about it. Check it out!
The FC has recently been redesigned! Can you tell us about the changes?
What’s new about the FC2 condom is the material. Our first-generation product was made with polyurethane. The second-generation female condom is made with a synthetic rubber called nitrile. Nitrile delivers at least two benefits to consumers. The first is that it lets us make FC2 with the same cost-efficient “dipping” process used to make male condoms. The second is that nitrile is softer than polyurethane, which means that FC2 feels softer and it doesn’t make noise when you use it.Why did you make those changes?
We made FC2 because we realized that the first-generation female condom simply cost too much, and we knew that we couldn’t make it more affordable to HIV prevention programs and consumers unless we changed the material and introduced a more cost-effective manufacturing process. So we made the switch to a new material with the goal of expanding affordable access to HIV prevention to women and men around the world.It's great to have another option besides male condoms for condom use, but having the FC isn't so simple as just having a different style of condom. Can you talk a bit about why?
The short answer is that it’s easier to put something “on” a penis than it is to put something “in” a vagina. That’s just the basic difference between male and female anatomy. But if he doesn’t want to put a male condom “on,” what do you do then? We think it’s better for women to have their own option. And we’ve invested a lot of our resources in creating programs that teach women the simple steps to insert and use the female condom.We know that this kind of grassroots education pays off because we have a great example. The tampon was first developed in the early 20th century, but it took decades of grassroots education and outreach before enough women used it and could spread the word to their friends. We’re confident that we can achieve the same awareness and use with the female condom.
What myths have you encountered around female condoms: what things do people think about them that just aren't true?
The most frustrating and damaging myth is that “women don’t like female condoms.” We have dozens of published, peer-reviewed studies that show they do. And the research shows that user acceptability of the female condom – among women and men – is comparable to the male condom. And if you are a man, what’s not to like? She’s the one wearing protection!Another myth that we need to overcome is that “There is no need for female condoms if male condoms are available.” Research shows that when couples have access to more prevention choices, the rate of unsafe sex decreases and the rate of new sexually transmitted infections declines. What’s wrong with having more choices?
How easy (or hard) is it for people to get the FC? Where can everyone find them?
Currently in the U.S., FC2 is available only through public sector distributors – like community based organizations, health clinics, and AIDS service organizations. The exciting exception is DC, where CVS/pharmacy has taken real leadership in making sure that women and men have 24/7 access. We are a manufacturer, not a marketing company, so we need to recruit retail partners and distributors to expand access. We’re convinced that grassroots education and access will stimulate demand to the point where we can secure more retail partners. And we’re working hard to convince more retail outlets to carry FC2.What's your favorite FC success story?
This is the story that inspires me most: I was working long hours to finish up the detailed dossier that the FDA requires for all of its product approvals. It was tough, draining work, and just when I was starting to ask myself whether it was worth the effort, my phone rang. A young woman had participated in an FC study at Columbia University and she wanted to thank me for helping her. She told me that she was in an abusive relationship, that her boyfriend was HIV positive, and that he was refusing to use a male condom. Then she told me that having the female condom allowed her to protect herself without his knowledge. She’d insert it before he came home, usually high on drugs and alcohol, and she knew that she’d be OK. She called to thank me for helping her and other women have a way to stay free of HIV and other STIs. I should be thanking her, because she showed me that all the effort made a difference.What special tips can you give FC users for how to use them best?
Practice makes perfect! Research shows that it can take up to three tries for women to become fully comfortable inserting and using a female condom. That’s why access to education and outreach, delivered by trusted peer educators and user-oriented materials is so important. And we have evidence that this approach works.A P.S. from Scarleteen: some things we like to remind people about with the female condom that they might not know are:
- For those sensitive or allergic to latex, the FC is one way to still be able to use condoms
- Non-latex condoms like the FC can also conduct heat better than latex condoms, so some people may find that as far as pleasure goes, they prefer a non-latex condom
- The FC can be used for anal sex as well as for vaginal sex
- It covers more of the vulva (or rectum) than male condoms can, so it may provide extra protection from Herpes and HPV than male condoms
- Unlike male condoms, FCs can be inserted into the vagina hours before intercourse
- Some female-bodied people may even find that the external ring provides additional clitoral stimulation
- Even if a male-bodied partner loses his erection, or it gets a bit softer (or a couple wants to start intercourse without a full erection), that's not a problem with the FC like it is/can be with male condoms
- For male-bodied partners who complain the base of male condoms feel too tight, the FC solves that problem: no penis is as wide as the base of the FC
- If you already use or have used a menstrual cup or a cervical barrier, learning how to use an FC is likely to be easy.
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Robert Creeley
[Poetry] (Carol Peters)[from an interview with Robert Creeley in David Ossman's The Sullen Art: Interviews with Modern American Poets, Corinth, 1963] In the earlier poems the emotional terms are very difficult. The poems come from a context that was difficult to live in, and so I wanted the line to be used to register that kind of problem, or that kind of content. Elsewhere I remember I did say that "Form is never more than an extension of content," and by that I meant that the thing to be said will, in that way, de ...
[from an interview with Robert Creeley in David Ossman's The Sullen Art: Interviews with Modern American Poets, Corinth, 1963]
In the earlier poems . . . the emotional terms are very difficult. The poems come from a context that was difficult to live in, and so I wanted the line to be used to register that kind of problem, or that kind of content. Elsewhere I remember I did say that "Form is never more than an extension of content," and by that I meant that the thing to be said will, in that way, determine how it will be said. So that if you're saying, "Go light the fire," "fire" in that registration will have one kind of emphasis, and if you start screaming, "Fire! Fire!" of course that will have another. In other words, the content of what is semantically involved will very much function in how the statement of it occurs. Now the truncated line, or the short, seemingly broken line I was using in my first poems, comes from the somewhat broken emotions that were involved in them. Now, as I begin to relax, as I not so much grow older, but more settled, more at ease in my world, the line can not so much grow softer, but can become . . . more lyrical, less afraid of concluding. And rhyme, of course, is to me a balance not only of sounds, but a balance which implies agreement. That's why, I suppose, I'd stayed away from rhymes in the early poems except for this kind of ironic throwback on what was being said.
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F1 Sakhir - SAT - Qualifying - Rosberg 5th, Schumacher 7th
[Mercedes-Benz] (Mercedes-Benz-Blog -- Unmistakable. Unique. Classy. Mercedes-Benz.)OFFICIAL PRESS RELEASE Bahrain, Sakhir, Mar 13, 2010 Qualifying for the Bahrain Grand Prix got underway at 14:00 this afternoon to begin the competitive track action for the nineteen-race 2010 Formula One season. The MERCEDES GP PETRONAS pairing of Nico Rosberg and Michael Schumacher progressed through the first two sessions of qualifying before taking to the track again for a highly-competitive final session. Nico and Michael completed just one run in Q3, using the softer compound option ...

OFFICIAL PRESS RELEASE
Bahrain, Sakhir, Mar 13, 2010
Qualifying for the Bahrain Grand Prix got underway at 14:00 this afternoon to begin the competitive track action for the nineteen-race 2010 Formula One season.
The MERCEDES GP PETRONAS pairing of Nico Rosberg and Michael Schumacher progressed through the first two sessions of qualifying before taking to the track again for a highly-competitive final session.
Nico and Michael completed just one run in Q3, using the softer compound option tyre, and qualified in fifth and seventh positions respectively for tomorrow’s 49-lap race.
COMMENTS
NICO ROSBERG
“To be honest, we were hoping for a bit more today although we were lacking the pace to challenge right at the front so I guess we should not be too disappointed. It was so difficult out there with the tyres overheating. If you made a small mistake and got oversteer, then you lost a lot of grip for the next few corners. It’s going to be very important to look after the tyres tomorrow in the race. Overall it’s a good start for me and with a bit of luck, we should be able to challenge for a podium place tomorrow.”
MICHAEL SCHUMACHER
“I am satisfied with seventh place today having been away from Formula One for such a long time. By coincidence, it’s the same grid position that I had when I started my career at Spa in 1991. It was fun to work with my new team and I appreciate all their efforts to support me as I get back into the swing of things. The boys are really good and I feel that we’ve improved step-by-step over the weekend. I’m looking forward to the race and I expect even more to come.”
ROSS BRAWN
“It was a reasonable qualifying session today although we hoped for more after this morning’s practice. The balance of the car suffered between practice and qualifying, possibly due to the increasing track temperatures, and we lost some pace as a result. Nico drove very well today in all sessions and Michael, taking part in his first qualifying session since 2006, is getting back into the rhythm as he gets more miles in the car.”
NORBERT HAUG
"Not a bad start to the first race weekend for MERCEDES GP PETRONAS in achieving fifth and seventh position in our first qualifying session. I think we looked stronger this morning - and it is our target to be better again during tomorrows race. Nico has done a great job since lap one of the weekend and Michael, who is starting his first Formula One race after three and a half years, is one place ahead of reigning World Champion Jenson Button. The race tomorrow will be extremely tough for the drivers, the cars and their engines and we hope to be well prepared for the battle."






Copyright © 2010, Mercedes-Benz-Blog. All rights reserved.
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a tee of note
[T-shirts] (SingulariTee)Want to see something awesome? Of course you do. You came to this blog. You're practically ITCHING to see something awesome. And today's awesome offering comes from, once again, Tilteed. Seriously, I have lots of other things I want to talk about, but funny enough, I just am not finding the time. But I always have time for limited tees, and this weekend we've got a great one. We're talkin' Drakxxx's "The Last Song," a former contest watch piece, and a totally sweet one at that. I love pretty ...
Want to see something awesome?
Of course you do. You came to this blog. You're practically ITCHING to see something awesome.
And today's awesome offering comes from, once again, Tilteed. Seriously, I have lots of other things I want to talk about, but funny enough, I just am not finding the time. But I always have time for limited tees, and this weekend we've got a great one.
We're talkin' Drakxxx's "The Last Song," a former contest watch piece, and a totally sweet one at that. I love pretty much everything about this piece. For starters, it's one of Drakxxx's most accessible, wearable pieces. The art doesn't skimp on gorgeous detail and flow (seriously, click to see it larger. It's lovely), but it also doesn't overflow with detail. The placement, also, is absolutely brilliant to me... I love how it sits at the side. And while much of the artists (albeit brilliant) work is all about the creepy, this also has a softer side. I mean, sure, death is totally surrounding this pianist here, but it feels like a comforting embrace... the player seems tired and ready for the inevitable, and death is simply allowing him to finish his final performance before taking him in to eternal rest. It has a sort of beauty to it for that reason, so I'm excited to be a part of bringing it to the world through Tilteed. If you're in agreement that this is greatness, go pick one up for $12 before it's gone on Monday, Noon Pacific. Like the pianist here, it's not long before the tee is ushered into the afterlife. -
Essetial Guide to Road Race Tyres
[Triathlon] (Tri247)(You can also check out our other guides to: Front Lights, and Rear Lights). Road Race Tyres The tyres that you choose for your bike are a very important factor. They provide the connection between you and the road surface. Finding a balance between your needs and the various products available is important both in terms of enjoyment and performance. You will find a huge range of products available out there and it can be a bit confusing but there are a few simple steps to getting the rig ...
(You can also check out our other guides to: Front Lights, and Rear Lights). Road Race Tyres The tyres that you choose for your bike are a very important factor. They provide the connection between you and the road surface. Finding a balance between your needs and the various products available is important both in terms of enjoyment and performance. You will find a huge range of products available out there and it can be a bit confusing but there are a few simple steps to getting the right tyre for your purpose. As a triathlete or duathlete you will need to address whether your needs are durability, performance or a compromise between the two extremes. These will be different for many riders but let’s look at what we should consider as the basics of tyre choice. We will look at two key options, clincher and tubular tyres to help you decide. Clincher or Hooked Rim These tyres are for racing style bikes that use clincher or hooked rims, these are the most common fitment and hook onto the rim and require an inner tube. The vast majority of everyday riders use clincher tyres. If you require a tyre for all round use look for something with good puncture protection, an average TPI (Threads Per Inch) and average weight. How you do your training is important here; this could be the daily commute or general cycling where you need to ensure that durability is high up on your requirement list. If durability is your priority and speed is not so important look towards the more puncture resistant tyres and consider going for a wider tyre, these will be less prone to punctures and offer you more comfort. For wet road conditions a triple compound or winter tyre is a good choice, these use a softer compound on the cornering surface to maximise grip. Lighter tyres will accelerate quickly, but will be more prone to punctures so getting a balance is extremely important. If you require a fast tyre and speed is the only thing that matters look for a low weight folding tyre with high TPI. For ease of use these offer the best option as fixing a puncture is quite straight forward and they require less fitting expertise in the first place. In this sector there are tyres to fit each need so you will definitely need to address the durability versus speed requirement. With clincher tyres why not consider having a set of tyres for everyday use and one pair for racing. This will allow you to maximise your race day potential with a lightweight and fast road tyre but keep your training as flat free as possible. Tubular Tyres As your racing develops you may want to consider tubular tyres; more serious racers favour these. In this case you will probably have a separate set of wheels for race day to maximise your performance in terms of lightweight and speed delivery. These tubular tyres are designed for tubular rims; these are glued on using tubular cement or tubular tape. A tubular is a sealed unit with an inner tube sewn into the tyres casing, this means the tubular is perfectly round in profile and offers a better feel when cornering. The compromise to the performance is that they are more complicated to fit, typically require a dedicated wheel type and will be more likely to puncture. Vittoria have introduced open tubulars which are the same design as their tubular tyres but with a bead for use on a clincher rim, these will offer the closest feel of a tubular but the ease of repair associated with a clincher. Sizing is subtly different to clincher wheels and can be a bit confusing as most manufacturers still quote the old imperial sizes. However there are only 2 real sizes: 26&quot; is the same as 650c, then 27&quot;, 28&quot; and 700c are all the same size. Our friends at Wiggle have selected some options for you as great examples to look at if things are just too over whelming! Beginners Vittoria Rubino Road Tyres 2010 List price&nbsp;£12.99 SAVE 10% = £1.30 Wiggle price:£11.69 Top Features of the Vittoria Rubino Road Tyres 2010 Nylon 60 TPI casing, synonymous of good performance. New Kevlar® Endura 3D Compound, with high duration and exciting road-behaviour. PRB puncture protection. Updated tread pattern, with Prisma Vector Design. Grommet rigid bead (4 wires), for an easier fitting. Pressure: 7/10 bar, 100/145 psi &nbsp; Intermediate Vredestein Fortezza TriComp Road Tyres List price&nbsp;£34.99 SAVE 10% = £3.50 Wiggle price:£31.49 Top Features of the Vredestein Fortezza TriComp Road Tyres Competition tyre for all weather conditions Very low rolling resistance Outstanding riding quality on wet roads Maximun grip in corners Curve control system Sportex Protection Layer Use:&nbsp;Road Weight(g):&nbsp;225 Bead:&nbsp;Folding Puncture protection:&nbsp;Yes TPI:&nbsp;120 The best selling tyre from the Vredestein range !! PRS – Puncture resistance system, this patented anti-puncture technology reduces the chance of a puncture by up to 90%. Its secret lies in the supple but exceptionally tough separate rubber layer with enhanced penetration resistance. Tricomp technology is based on the use of three different rubber compounds, each with its own specific properties. This has a positive influence on durability, rolling resistance and ultimate grip on corners. &nbsp; Advanced Vittoria Corsa Evo CX Tubular Tyre List price&nbsp;£54.99 SAVE 10% = £5.5 Wiggle price:£49.49 Pressure: 8/14 bar (115/200 psi) Twin tread technology 42mm valve - Removable Use:&nbsp;Road, Time Trial Weight(g):&nbsp;245 Puncture protection:&nbsp;Yes TPI:&nbsp;320 Corsa CX has proved successful in road races all over the world, but the new EVO version is bound to even greater success. With a “handmade” tubular structure for superior performance and comfort, it has also got a special latex inner tube that increases its elasticity and puncture resistance. Further features are the Kevlar® SiO2 3D Compound with added silica - for reduced rolling resistance and better grip in the wet Our new high density casing - a true 320 tpi - delivers unbeatable comfort and superior performance with inflation pressure of up to 200psi! New PRB 2.0 puncture resistant belting placed underneath the tread increases the flat prevention properties of the Corsa Evo CX up to 40%, even while reducing the weight. The new Corsa Evo CX is tougher and faster than ever before. -
Female warrior outfit, possibly elven
[Virtual Worlds] (Second Life Blogs : All Content - All Communities)I'm looking for a female warrior outfit NOT like Xena! I'm looking for something softer and lighter probably elven.If there are fairy warriors I would like to see them but I don't want wings.I searched inworld and found Caverna Obscura. It has the kind of thing I mean but I wanted to look around some more.Does anyone have any ideas?This picture is not exactly the look I want but it's the closest I found with google.
I'm looking for a female warrior outfit... NOT like Xena! I'm looking for something softer and lighter... probably elven.
If there are fairy warriors I would like to see them but I don't want wings.
I searched inworld and found Caverna Obscura. It has the kind of thing I mean but I wanted to look around some more.
Does anyone have any ideas?
This picture is not exactly the look I want but it's the closest I found with google.
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A Softer World: 538
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Enterprise Security Architecture: Cloud Security into Context - TechLINKS (press release)
[Architecture] (ARCHITECTURE NEWS - Google News)Enterprise Security Architecture: Cloud Security into Context TechLINKS (press release) ranging from penetration testing through to the 'softer', more business focussed, areas such as security management and security architecture. 3 cloud computing mistakes you can avoid todayInfoWorld Your Roadmap To The Clouds - Part ISYS-CON Media (press release) all 4 news articles » ...
Enterprise Security Architecture: Cloud Security into Context
TechLINKS (press release)
... ranging from penetration testing through to the 'softer', more business focussed, areas such as security management and security architecture. ...
3 cloud computing mistakes you can avoid todayInfoWorld
Your Roadmap To The Clouds - Part ISYS-CON Media (press release)
all 4 news articles » -
Forced to Come to the Office in a Snowstorm?
[Careers] (Jobacle.com Blog)Unless you earn a living as an emergency responder or snow-plow operator, there's no reason to report to work amidst a winter storm. Or, at least that's what logic and humanity seem to dictate. But who said cooler heads prevail at work?! Unfortunately for middle-of-the-ladder employees, we rarely get to see our bosses' "softer side." In the northeast, we have experienced some the worst snow conditions in 114 years--and even that didn't make employers change their rigid tune. Missing work when i ...
Unless you earn a living as an emergency responder or snow-plow operator, there's no reason to report to work amidst a winter storm. Or, at least that's what logic and humanity seem to dictate. But who said cooler heads prevail at work?! Unfortunately for middle-of-the-ladder employees, we rarely get to see our bosses' "softer side." In the northeast, we have experienced some the worst snow conditions in 114 years--and even that didn't make employers change their rigid tune.
Missing work when it snows is serious business.
Read more from Andrew G.R. on "snowjobs" at U.S. News & World Report. -
Audio Analogy to the LCD vs Plasma Debate
[HDTV, Audio] (AVS Forum)I want to throw in an audio analogy to the LCD vs Plasma debate that I've noticed. I remember when solid state transistorized amplifiers were taking over the audio world by storm in the late 1960's. They had much better distortion statistics and more power than tube amplifiers. They usually played louder too, although that wasn't always true, and people prefer louder to softer levels. People started to associate transistors with progress. Each year transistorized amps got even better distort ...
I want to throw in an audio analogy to the LCD vs Plasma debate that I've noticed. I remember when solid state transistorized amplifiers were taking over the audio world by storm in the late 1960's. They had much better distortion statistics and more power than tube amplifiers. They usually played louder too, although that wasn't always true, and people prefer louder to softer levels. People started to associate transistors with progress. Each year transistorized amps got even better distortion ratings. People couldn't wait to unload their now "unreliable" tube amps for "rugged" transistor amps. Tubes got a bad rap. My ears don't lie, and I definately prefer the sound of tubes when it comes to listening to music. It wasn't long before tubes amps weren't really available anymore. Even when the next year's transistorized models where introduced with even better measurements than the previous year, I couldn't hear the improvement. I liken this to the plasma vs LCD debate. Plasma gets a bad rap. Each year LCD gets "better" than the year before. LCD gets attributed to having a brighter picture just like transistorized amps got credit for playing louder and having more power. Plasma gets labeled as unreliable with image retention just like tube amplifiers got labeled as being less reliable. LCDs may have certain better measurements in this or that measurement, but my eyes tell me differently. I prefer the picture of plasma over LCD, just like I prefer the sound of tubes over transistors. I've heard nothing is new under the sun. Does anybody else see history repeating itself in the same way? -
A Softer World: 537
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Worst of the Weekend: Snuggie World Record edition
[NBA Basketball] (Basketbawful)The Detroit Pistons: As if losing their sixth straight game wasn't bad enough, Rodney Stuckey collapsed during the third quarter of Detroit's game against the Crabs in Cleveland. The good news is, it appears Stuckey is going to be okay. But damn, that was a freaky-scary moment. Rip Hamilton: The Phantom of Auburn Hills became the latest victim of King Crab's ego-ectomy special: Dubious world records: Sothe Cleveland crowd set the world record for the largest gathering of people wearing Snuggi ...
The Detroit Pistons: As if losing their sixth straight game wasn't bad enough, Rodney Stuckey collapsed during the third quarter of Detroit's game against the Crabs in Cleveland. The good news is, it appears Stuckey is going to be okay. But damn, that was a freaky-scary moment.
Rip Hamilton: The Phantom of Auburn Hills became the latest victim of King Crab's ego-ectomy special:
Dubious world records: So...the Cleveland crowd set the world record for the largest gathering of people wearing Snuggies. I am not even fucking kidding.
All fans in attendance had a Snuggie placed on their seats prior to the game. During a timeout in the first quarter, fans were asked to wear the wine-colored blankets with arms for five minutes as a clock on the scoreboard counted down. Most everyone complied -- except for one fan wearing a Celtics jersey and another who thought ahead and brought a Pistons Snuggie. The rest of the sellout crowd of more than 20,000 turned the Q into a sea of red blankets, counting down the final seconds and cheering as the world record clock expired.
Yep. Cleveland sucks.
An adjudicator from Guinness World Records attended the game to make the record official.
Danny Girton Jr., an adjudicator executive with Guinness World Records, said there was no existing record, so the records management team opened a new category for Friday's event.
Well, even if LeBron leaves this summer, the people of Cleveland will always have the Snuggie World Record. Oh sweet Jesus...
The Philadelphia 76ers: The Sixers kept their game against the Celtics pretty close...but they couldn't hit a field goal over the final three minutes and that pretty much sealed it. Make it five losses in a row.
Elton Brand: The 80 Million Dollar Man grabbed 4 rebounds in 33 minutes. In related news, Boston outrebounded the Sixers 41-30. Like I said once before, Philly might as well have jammed all that cash into a big pile and set it on fire, Joker-in-The-Dark-Knight-style.
Paul Pierce: The Celtics' leading scorer and self-proclaimed "best player in the world" went 1-for-9 from the field in 32 minutes. It was like some kid who had never picked up a basketball before randomly got his wish to be Paul Pierce for a day. Ugly. Said Pierce: "I kept looking at my hand wondering what was wrong."
Kevin Garnett, quote machine: "We're a veteran team, we know how to play. It's just [about] when we want to put our heads together, go out and execute and do the things we have worked on. I think the second half of the season is when you really get into what you do. It's just focus. When we want to do it, we do it. Some nights we get lazy."
And that's the main reason Boston is no longer a championship contender. That and the age thing. And the fact that they aren't all that good anymore.
The WashingtonWizardsGeneralsBullets: This was definitely one of those "we've pretty much given up on the season so fuck it" games for the Bullets, who devolved into the NBA equivalent of a pickup team, with dudes just looking for their own shots and trying to get theirs. That might explain why Washington ended up with season lows in points (74) and assists (10).
Said Mike Miller: "We're not good enough to play 1-on-1."
Added coach Flip Saunders: "We just didn't compete tonight. It carried over to defense. It carried over to offense. We had missed layups, missed shots. We were out of sync the whole time."
Brandon Jennings: The rook's shooting has been on a pretty epic downward spiral ever since he dropped that double nickel on the Gol_en State Warriors back in November. Jennings is shooting only 25 percent over the last nine games, and after he went 2-for-12 against the Bullets on Wednesday, he started shooting his mouth off about not shooting the ball anymore.
Bucks coach Scott Skiles was not amused: "We're not fond of that kind of statement. He's too important to our team and our franchise to have any sort of defeatist-type mindset right now. And he doesn't, really."
Jennings replied that his comments were caused by "a moment of frustration, not thinking and just letting my anger out." He also said he's "always going to keep shooting. ... [Skiles] said it was a little bit immature and irresponsible. You need to just play basketball and do other things out there on the court, and that's what I tried to do tonight."
It's a good thing, too, since Jennings was only 2-for-7 from the field.
The New York Knicks: It was just another night in the dreary, depressing life of the once proud Bricks, who got deep-sixed by the Chris Bosh-less Craptors thanks to Sonny Weems' career-high 20 points and 9 rebounds.
Said David Lee: "As good as they are at home, with Bosh not playing, we should have won this game. No matter what quarter we didn't play well in, with Bosh not playing, this is a game we should have won." When you're 21-40 -- including 8-20 away from home -- are there really that many games you "should" win?
Anyway, added Bricks coach Mike 'Antoni: "I just didn't think we had the necessary gumption to get up on them and guard a little man-to-man and stop it. We couldn't do it. They scored every time." So a team coached to be "offense only" couldn't get stops? Well, imagine the hell out of that.
Eddy Curry: Saw this in the AP game notes: "Knicks center Eddy Curry (left knee surgery) was inactive. Coach Mike D'Antoni said Curry will need three or four more practices before he's ready to play." Jesus. New York should just buy this guy out and say "good riddance." Holy Christ.
The Los Angeles Lakers: Can somebody please explain to me how and why the Bobcats own the Lakers? Charlotte has won seven of their last nine meetings over The L.A. Team. I don't get it. Nobody gets it.
Said Gerald Wallace: "I really don't know. You can say that about them and you can say that about Cleveland (against whom the 'Cats are 3-1 this season)."
And yet Charlotte has lost not once but twice to the Nyets, and if they playoffs started today, the Bobcats would be on the outside looking in. WTF?
Said Wallace: "Those top teams bring out the best and they bring out big crowds. Come to a New Jersey game and we probably have 500 people."
Oh, so that excuses losing to one of the worst teams in NBA history. Sure.
Anyway, this isn't about the 'Cats, it's about the Lakers, who sucked up the court. Mamba went 9-for-21 and had more turnovers (3) than assists (2), but this loss wasn't on Kobe. His teammates were dreadful. Pau Gasol was 5-for-14, had three shots stuffed, blew a dunk and committed 3 turnovers. Andy Bynum shot 3-for-9. Ron Artest went 1-for-9 from the field and 0-for-4 from three-point range. As a team, the Lakers shot 36 percent, gave up 24 points off 20 turnovers, and matched their number of road losses from last season (12)
Said Mamba: "We just looked flat. I'll probably say something [to my teammates]." When asked what he was going to say, Kobe replied: "What do you think?"
Added Bynum: "I think everybody's angry, but we're not angry at the right things. We might be angry with each other. So that's not always that great."
Feel the love.
Phil Jackson, quote machine: Regarding Gasol's recent weak-ass play: "I really don't like to talk about that aspect of a person's game ... other than the fact that he's been weak and sickly." He also said Gasol has been "under the weather" and that: "I'll start to work the bench a little more and see if I can't spell some minutes for these guys."
When a reporter told him about Jackson's comments, Pau frowned and said: "That's funny."
Like I said, feel the love.
The Gol_en State Warriors: The Warriors gave up 127 points on 53 percent shooting while losing to the Hawks in Atlanta. Movin' on...
The New Jersey Nyets: Matt Barnes scored 14 points in the first quarter as the Magic took a 32-18 lead, and the New Jersey Nyets kept the hopes of Basketbawful Nation alive and well by eventually losing 97-87.
Said Devin Harris: "We gave up a ton of transition points in first six, seven, eight minutes of the first quarter. We can't spot Matt Barnes 14 points in the first quarter. He's a good player, but we can't let him have those types of numbers and expect to win." You know, Harris could have just shortened that to "We can't expect to win" and been done with it.
The Indiana Pacers: The Pacers gave up 122 points while losing to the Nuggets in Denver. Movin' on...
The Los Angeles Clippers: The formerly surging Clippers lost at home to the Thunder 104-87, proving yet again that they are who we thought they were.
Friday lacktion report: More trillions, marios and all-around lacktion from chris.
Lakers-Bobcats: Adam Morrison earned himself a 3.5 trillion (3:32) in a shocking losing effort, while Stephen Graham took a foul while running a Paperboy route in just 42 seconds for a Mario AND a +1 suck differential!
Knicks-Raptors: Reggie Evans -- most recently voted as the Association's dirtiest player -- cleanly tossed one brick in 5:05 for a +1, while Rasho Nesterovic took on a star of invincibility for a 2 second SUPER MARIO!
Warriors-Hawks: THE Mario West actually spent 2:51 on court tonight, but fouled twice for a +2!
Kings-Mavs: Brendan Haywood countered an assist in 7:17 with two bricks and a foul for a 1:0 Madsen-level Voskuhl.
Hornets-Spurs: Looks like AT&T Center resembled the Trump mansion tonight, as evidenced by the wealth being thrown around - New Orelans's Aaron Gray pocketed 3.3 trillion (3:19) while San Antonio's Malik Hairston and Ian Mahinmi celebrated with cash deposits of 1.25 trillion (1:15) and 2.65 trillion (2:39) respectively!!!!
The New York Knicks: My oh my oh my oh my. Never has my nickname for this team been more appropriate. In one night, the Bricks managed to set an NBA record for long range futility by going 0-for-18 from three-point range AND lose to one of the worst teams in league history. And I mean lose badly. The Nyets came back from an early 16-point deficit to win 113-93...in New York.
Yeah. LeBron is so gonna wanna come here.
Said Al Harrington: "No disrespect to them, but I think we're a better team and for them to...come in here and put it on us like that, it's kind of tough on us."
Added Bricks coach Mike 'Antoni: "At a certain point you do have to score some. They got hot and they got confidence and they just beat us."
Historic fail: According to the Elias Sports Bureau, the 18 attempts were the most ever without a make. And according to research by STATS, LLC dating to the 1986-87 season, the previous most attempts without a make was 16 by Washington against the Celtics on November 2, 2007.
Meanwhile, the Nyets improved to 7-55, and Basketbawful's dream season is in serious jeopardy. We can only hope for, like, a major injury to Brook Lopez or another one to Devin Harris. On the up side, Yi Jianlian fell down and went boom with 2:56 left when he appeared to step on a New York player's foot while running back into defensive rebounding position. If we're lucky, it'll be serious.
The Atlanta Hawks: Going into their matchup against the Hawks, the Heat were a little shorthanded. Rafer Alston was suspended indefinitely (see below), Dorell Wright sat out with a swollen left knee, and Jermaine O'Neal tweaked his left knee in the second quarter and missed the rest of the game.
No matter.
Atlanta shot 39 percent, gave up 18 fast break points and got blizted by Michael Beasley in the fourth quarter (14 points, including 7 in a row in the final two minutes). Meanwhile, the Dirty Birds shot 6-for-20 in the final 12 minutes. Game, set, match.
Rafer Alston: Dumb. Ass.
Miami Heat guard Rafer Alston has been suspended indefinitely, the team announced after Saturday night's victory over Atlanta.
Way to go out with dignity, Rafer.
Sources close to the situation said Alston, who did not attend the game, is considering retirement.
The Heat initially announced that Alston missed the Atlanta game for "personal reasons." But later revealed Alston has not made himself available to the team by anything other than text message since losing his starting spot at point guard before Thursday's overtime win over the Los Angeles Lakers.
"Rafer Alston, while having made contact with the team via text message, has made himself otherwise unavailable to the team. As a result he has been suspended indefinitely," the team said in a release.
Alston could not be reached for comment. He did not immediately respond to an e-mail message.
American Airlines Arena: The fourth quarter of the Hawks-Heat game had to be delayed eight because the scoreboard showed Miami leading 176-77. As you can probably figure out, that wasn't quite the correct score.
Earl Watson versus Channing Frye verus Danny Granger versus...: With less than a minute left in the third quarter, Watson slapped at Frye, then Frye pushed Watson, then Granger slapped at Frye, who swung back. Then Roy Hibbert and Jason Richardson jumped in. And even though it was one of the wussiest "altercations" in NBA history, five technical fouls were handed out, including two (and therefore an automatic ejection) on Frye. How Watson -- who instigated the whole thing -- escaped punishment is anybody's guess. I mean, we have video review now, right?
Anyway, here's the video:
Said Frye: "I was just setting a screen for Steve [Nash], and Earl swatted my hands away the first time and that wasn't a big deal. And the second time, I don't think it was the right play. I want to emphasize it's not my style of play to be pushing people and doing things like that. But I think at a certain point, you've got to protect yourself. I wasn't going to punch him. It wasn't about me punching. It wasn't the right play, but it was me just letting him know I didn't think that was acceptable."
Responded Watson: ""The first time he dunked, he hit with his elbow. Then he put his hands on me. I told him to put his hands down. He pushed me and it escalated after that point. ... We have the reputation of being soft. but we're not going to give in to anybody."
Granger insisted that the Suns were playing dirty. No, really. "I told my teammates to watch and see what happens," he said. "We've got to stick up for each other and play as a team. One of their guys took a cheap shot at my teammate."
Honestly, you'd think guys playing for a team that was involved in the most infamous brawl in recent history would be smart enough to chill the hell out. Man, I bet Larry Bird was shitting himself when this went down. It's a good thing Watson and Granger found their inner tough guys against a team that's softer than a feather pillow stuffed with marshmallows.
The Minnesota Timberwolves: Even with Al Jefferson serving the second game of his DWI suspension, the Timberpoops -- who were playing at home, by the way -- attempted 18 more free throws, had major advantages in fast-break points (24-7) and points in the paint (52-32)...and lost 112-98.
Said Kurt Rambis: "Fairly typical game for us. Pockets of playing really well and pockets of playing very poorly." But mostly pockets of playing poorly.
The Memphis Grizzlies: Okay, seriously, WTF is up with the Griz? Their 109-92 loss to the Spurs was their eighth straight loss at home. What makes that really weird is that they recently set a franchise record with their sixth consecutive win on the road. According to Elias Sports Bureau, that makes Memphis "the only team in NBA history to simultaneously have streaks of six-plus home losses and six-plus road wins."
Explained Grizzlies coach Lionel Hollins: "We've played a different caliber of teams away than we have at home. We just haven't been able to raise our caliber of play. We execute better on the road. We make a better effort and better decisions on the road."
If you say so, coach.
Spurs Coach Gregg Popovich added: "It's the strangest thing I've ever seen. I have never seen anything like that. I really haven't. As far as home and away games, I thought it was really surprising. There's no way to explain that."
Meanwhile, San Antonio lost Tony Parker for at least six weeks after he broke the fourth metacarpal (the bone between the bottom knuckle and wrist) during a scramble for the ball near the end of the first half. See what happens when you hustle, Tony? Let that be a lesson to you.
Actually, something similar happened to my buddy Mister P a few years back. We were playing a pickup game at our gym when, for reasons unknown, he dove for a loose ball at the same time I did. Now, I'm rather infamous for my floor dives, and most people who know me just walk the other way when I hit the floor. And Mister P never, ever makes those kinds of hustle plays (he will immediately concede this point). But for some reason, he dove and ended up with a broken finger that needed surgery. He didn't get the surgery, but he needed it. Anyway, he couldn't play ball for a couple months. Suffice it to say, he has not, to my knowledge, ever gone after a loose ball again.
The Los Angeles Clippers: They followed up Friday night's double-digit home loss to the Thunder with a double-digit road loss to the Jazz. The Other L.A. Team gave up 28 points off 20 turnovers and got outscored 56-35 in the second half. At one point in the fourth quarter, Mehmet Okur bricked a three-point attempt but then walked in for an offensive rebound and dunk. Later, the Clips had a 4-on-1 fast break that ended in a turnover.
"We got in a rut when we turned the ball over, which was a ridiculous amount of times."
They still are who we thought they were.
Saturday lacktion report: Hey lacktioneers! This lacktion is for you:
Hawks-Heat: In the Highly Unanticipated Rematch Of The Most Boring 7-Game Series Of All Time, THE Mario West lived up to his name in a second straight night of lacktivity by putting the plumber's overalls on briefly for a 4 second Super Mario!! James Jones bricked once in 1:45 for a +1 suck differential.
Spurs-Grizzlies: Malik Hairston avoided wealth for another consecutive day in the ledger by purchasing a beat up Deadly Towers cartridge in just 58 seconds for a Mario, while Hamed Haddadi negated two boards and three blocks in 10:15 with two bricks and a pair each of fouls and giveaways for a 4:2 Voskuhl.
Rockets-Wolves: Hilton Armstrong (barely avoiding a fortune at 59 seconds) and Jermaine Taylor (46 seconds) tossed spiky shells at each other as Mario Brothers under the watchful eye of Clutch the Bear!
Crabs-Bucks: Darnell "Lacktion" Jackson once again showed why his Bawful-created moniker is so appropriate, fouling once in 5:10 for a +1!
Pacers-Suns: Earl Clark tossed a chocolate-covered brick filled with two fouls for a +3 in 5:55, while Jarron Collins pruned a Piranha Plant in 26 seconds for a Mario!
Clippers-Jazz: Kosta Koufos collected himself a 2.3 trillion (2:20) check tonight.
Ron Artests' new "Rodman" 'do: Not even Anthony Johnson can take it seriously. In case you're wondering, that mess carved into his now orange/yellow hair is the word "defense" in three different languages: Japanese, Hebrew and Hindi.
Yep. Still crazy.
In related news, went 2-for-10 (1-for-5 on threes) and had a plus-minus score of -6.
The Los Angeles Lakers: Make it three! Three losses in a row! Ah, ah, ah. Apparently, the Lakers got the Magicians riled up by calling them "puppies." This led to an edgy game full of bumps, grabs, elbows, knees, and face-downs.
Said Dwight Howard: "Alpha dogs usually have the big bark. But since we're so-called puppies, we won't bark as loud." Well, Howard did enough barking to earn his 14th technical foul of the season. But for the most part, the Magic let their defense and physical play do the talking, holding L.A. to 37 percent shooting and outrebounding them 50-39. In fact, this game might have been a blowout if Orlando hadn't given up 20 points off 20 turnovers (versus 7 and 7 for the Lakers).
By the way, this is the Lakers' first three-game losing streak since they acquired Gasol from Memphis in February 2008.
Stat curses: The Magic could have sealed the deal by simply knocking down their free throws down the stretch. But with 20 seconds left, Jameer Nelson stepped up to the line and went 1-for-2 right after the announcers said he was a great free throw shooter. Instead of putting his team up by four, Nelson gave the Lakers a chance to tie (and they would have if Kobe had size 7 feet). Then with nine ticks left, Vince Carter went to the stripe and bricked the first of two after the announcers mentioned he was 12-for-12 on the day. That made it Magic 96, Lakers 94. Thanks Zeus Kobe finally choked.
Kobe Bryant's first three quarters: On the one hand, Mamba led the Lakers with 34 points, including 18 (7-for-16) in the fourth quarter. He also hit a couple clutch shots in the final minutes that gave the Lakers a chance to steal the game. BUT...he was 12-for-30 on the night and missed eight consecutive shots over the second and third quarters.
Credit Kobe with some hombre-ness, though. As AnacondaHL pointed out: "Here's a youtube of Matt Barnes' ball fake in Kobe's face tonight. Gotta admit, that was pretty smooth of Kobe not to flinch."
By the way, here's a belated WotN for when Mamba clipped Andre Iguodala in the balls while "challenging" a jump shot. Remember: The Mamba always strikes with unerring accuracy! Thanks to Basketbawful reader Jose S. for the link.
Pau Gasol: The Spanish Marshmallow played well -- 20 points (8-for-13) and 11 rebounds (6 offensive) -- but he stomped and flailed and basically acted like a littel bitch. In particular, at the end of the third quarter, he leaned into Dwight Howard, slapped, poked, grabbed and thrashed around as Dwight just stood there and somehow fooled the ref into calling a foul against Howard. It was Pumaman's 4th foul and reason number 1057 that I hate Pau Gasol. Great player...honey-soaked, marshmallowy douchebag.
Dwight Howard, quote machine: "You got a team full of Pitbulls and a team full of Cane Corsos, and that's what happens. We're the Pitbulls. Pitbulls are a little bit shorter, and Corsos are a little bit bigger. But, hey, we got the job done."
Uhm, okay.
The WashingtonWizardsGeneralsBullets: This feisty Bullets team -- facing the Celtics in Boston -- was up 79-66 with 6:11 left in the fourth quarter. Then they made a mistake. They started woofing.
From that point on, the C's went on a 20-4 run to win 86-83. Washington has not lost five of their last six games.
Said Flip Saunders: "Well we choked. Six minutes to go and we're up 13 and we start talking to Garnett, start talking trash and everything else. Got Garnett and those guys juiced up. ... We were so discombobulated. You have a veteran team that knows how to close out games against a young team and instead of letting a sleeping dog lie, we juiced up their energies."
Memo to the Bullets players: Next time, quit while you're ahead. You know, instead of just quitting altogether.
The Boston Celtics: Okay, seriously, losing at home by double-digits halfway into the fourth quarter to one of the worst teams in the league wasn't enough to inspire them. It wasn't until the Bullets started talking trash that the Celtics kicked it into gear. That's...pretty sad.
Said Doc Rivers: "We've lost so many of these where we played poorly and lost. It was nice to play poorly and win. I just wish we could have played the first 40 minutes, like we played the last eight."
If you say so, Doc.
Added Ray Allen: "Fans, people around the building look at other teams and tend to think they are not supposed to score or even be in the game. They [Wizards] are getting paid the same as we are and I told the guys at halftime that we need to make them more uncomfortable."
Wait, last time I checked, the Celtics had three $20 million players and the Bullets had only one...and he's suspended for the season. Whatever. The Celtics have set a new NBA record for "excuses made in a single season." This team is second-round exit waiting to happen. I'm sorry, but it's true. I just can't see this squad beating the Crabs or the Magic in the playoffs.
Kevin Garnett: KG had one of the worst shooting nights of his career, going 0-for-7 from the field in 31 minutes. (He also committed a co-game-high 4 turnovers). Garnett hadn't been held without a field goal since he went 0-for-5 against the Knicks back on January 27, 1996. For perspective on this, that was back in KG's rookie season for the Timberpoops, when Isaiah Rider (19.6 PPG) and Christian Laettner (18.0 PPG) were the team's leading scorers.
JaVale McGee: From Basketbawful reader Sami H: "I know the Wizards blew their lead and all, but look at this stat: 5'5, 133 pound Earl Boykins had as many rebounds (1) in 13 minutes of playing time as 7'0, 252 pound JaVale McGee did in 31 minutes of playing time. Boykins also had more offensive rebounds (1) than Kevin Garnett did."
The "difference makers": Rasheed Wallace went 1-for-6 from the field and 0-for-2 on threes in his 18 minutes of PT. Nate Robinson went 0-for-3 and finished with zero points, zero assists and 2 turnovers in 14 minutes.
The Toronto Raptors: Chris Bosh was BACK...and the Craptors immediately suffered a double-digit home loss to a lottery-bound team that had lost five in a row.
[throws confetti]
Toronto's _efense allowed the Sixers to rack up 114 points on 55+ percent shooting. That included 30 fast break points and 56 points in the paint. Oh, and Thaddeus Young scored a career-high 32 points. There were hands and there were faces, but the two never came together.
Said Bosh: "They were more focused than we were."
Added Raptors coach Jay Triano: "We weren't very good."
Concluded Antoine Wright: "We've got to do a better job of getting our minds ready for the games. I don't know what it's going to take but something has to happen right now because we can't afford to lose games like this. There's not that much margin for error right now," Wright added. "You lose a game like this, you can go from fifth to seventh or even eighth. You don't want to be fighting to get back in the hunt. We've got to figure some things out."
The Curse of Walton: IT JUST WON'T END! The latest horror in this season of tragedies for the Frail Blazers: Joel Przybilla injured his knee in the shower and will need another surgery to repair the damage. No, I am not making this up.
In semi-related news, the Nuggets beat the Blazers 118-106.
Sunday lacktion report: In celebration of Mamba's non-game-winner, chris provides a special "Mamba meltdown" lacktivity update.
Sixers-Raptors: Mareese Speights spent 3:11 on the court accruing a foul, brick, and turnover for a +3 suck differential.
Lakers-Magic: Jordan Farmar was torched all night in his own backcourt by the Magic - and his lacktive statistics tell the tale: in 16:06, he bricked four times (twice from Lake Eola), fouled once, and lost the rock once for a +6!!!!
JJ Redick flew into the fray of forgettability by turning the ball over once and bricking thricely for a +4 in 9:15.
Rockets-Pistons: Chucky Hayes logged into the lacktion report tonight by countering a pair each of boards and assists in 14:08 with a brick and a trio of fouls for a 3:2 Voskuhl. For Oakland County's assortment of engine parts, DaJuan Summers added a rocket booster to his Mario Kart in a mere 5 seconds, earning a SUPER MARIO!
Bullets-Celtics: Nick Young launched a blank piece of masonry from Dewey Square for a +1 in 2:47, while fellow projectile Fabricio Oberto became a fire flower for 24 seconds in a Mario - amazingly, the Fabulous One's very first foray into video gaming this season! For Boston, Tony Allen missed once for a +1 in 2:18.
Blazers-Nuggets: Jeff Pendergraph dotted one rebound in 3:52 with two fouls for a 2:1 Voskuhl, while Denver's Malik Allen fouled once and lost the rock once for a +2 in 5:02 that also counts as a 2:0 Voskuhl! -
Einstein porn by Comeau?
[Q & A] (Ask MetaFilter)I remember reading a porny paragraph about Einstein and "On the Electrodynamics of Moving Bodies" on the internet somewhere a few years ago. Long shot: can you help me find it? I think it was written by Joey Comeau as a throwaway on an old asofterworld page (not a comic, one of the permament pages, like "about"), but I haven't looked for it in 3-4 years and can't find it again (have tried Googling, Wayback). It was obviously a joke--Einstein and another male physicist (Boh ...
I remember reading a porny paragraph about Einstein and "On the Electrodynamics of Moving Bodies" on the internet somewhere a few years ago. Long shot: can you help me find it?
I think it was written by Joey Comeau as a throwaway on an old asofterworld page (not a comic, one of the permament pages, like "about"), but I haven't looked for it in 3-4 years and can't find it again (have tried Googling, Wayback). It was obviously a joke--Einstein and another male physicist (Bohr? can't remember) screwing and the author punning on "moving bodies"--but it was light and lovely and I'd like to see it again. Things on the internet are pretty transitory, but could anyone point me to it? Does anyone even know what I'm talking about? -
Government to place £100m order to replace maligned Snatch Land Rovers
[Politics, Guardian] (Politics news, UK and world political comment and analysis | guardian.co.uk)Fleet of new armoured vehicles seen as admission by MoD that existing Snatches blamed for deaths are not up to the jobThe government is to urgently order new armoured vehicles to replace the army's fleet of thinly protected Snatch Land Rovers, Bob Ainsworth will announce tomorrow.Years after soldiers first complained about the lack of protection offered by the adapted soft-skinned vehiclesagainst increasingly sophisticated roadside bombs in Iraq and Afghanistan, Ainsworth will tell MPs that the ...
Fleet of new armoured vehicles seen as admission by MoD that existing Snatches blamed for deaths are not up to the job
The government is to urgently order new armoured vehicles to replace the army's fleet of thinly protected Snatch Land Rovers, Bob Ainsworth will announce tomorrow.
Years after soldiers first complained about the lack of protection offered by the adapted soft-skinned vehiclesagainst increasingly sophisticated roadside bombs in Iraq and Afghanistan, Ainsworth will tell MPs that the MoD has ordered some 200 "light-protected patrol vehicles" at an estimated cost of £100m, officials said.
The MoD appeared unsure tonight how many of the new British-built vehicles would be bought for the armed forces, though the first will not be ready for deployment until the end of next year.
Over the past year, British troops in Afghanistan have been provided with a range of new armoured vehicles , including the Mastiff, Bulldog, Ridgback, Snatch Vixen and Snatch Vixen Plus. In December, Ainsworth told the Commons the number of Husky tactical support vehicles and Jackal armoured vehicles would be increased partly, to replace Snatch Land Rovers.
However, the government's latest move appears to have confirmed that none of these were suitable for all of the tasks soldiers are being asked to undertake.
An MoD spokesperson said the government "expect initially to buy in the region of 200 vehicles" to replace Snatch Land Rovers in Afghanistan. "We are currently assessing a range of cutting-edge vehicles specifically designed to meet the requirement of both manoeuvrability and armoured protection," a spokesperson said.
"These will be world-beating British-built vehicles and will provide unprecedented levels of protection for their weight class."
The MoD was unable to respond to a claim by the shadow defence secretary, Liam Fox, that the original order was for 400 new armoured vehicles to replace Snatch Land Rovers.
"We have been waiting for years for replacements to the Snatch Land Rovers," Fox told BBC1's Andrew Marr Show. "There is one very curious element about this, because the public tender that was put out was for 400 vehicles to replace Snatch. The prime minister yesterday said it would be 200. What happened to the other 200?"
Fox said he would table a question in the Commons to find out "whether this is yet another cut to the equipment on Treasury orders".Documents show that early last year the government put out a tender for the purchase of 400 "light protected patrol vehicles".
Snatch Land Rovers have been blamed by troops for more than 35 deaths caused by roadside bombs in Afghanistan. Most of the 25 British soldiers killed in Helmand province so far this year have been killed by improvised explosive devices. However, many of those were killed while on foot patrol, and not in any vehicle.
Commanders in Afghanistan have long wanted tougher but manoeuvrable light vehicles. However, the rhetoric is softer higher up the chain of command and defence chiefs are reluctant to tell ministers directly that troops cannot perform particular tasks because of the risks involved.
Asked by the Chilcot inquiry panel about the failure to replace Snatch Land Rovers, Gordon Brown said: "I have to stress it is not for me to make the military decisions on the ground about the use of particular vehicles. What I can, however, say is that at every point we were asked to provide money and the resources for new equipment or for improving equipment, we made that money available."
"I think if you look at the question of expenditure in Iraq you have to start with this one fundamental truth: that every requirement made to us by military commanders was answered; no request was ever turned down."
Former chiefs of the defence staff accused the prime minister of being "disingenuous". Admiral Lord Boyce and General Lord Guthrie said that while individual urgent requests for equipment were financed, the military suffered from an overall shortage of funds to fight two wars in Iraq and Afghanistan.
The chancellor Alistair Darling told BBC1's Politics Show: "We spent about £400bn on defence over the last 12-13 years and we're absolutely clear – Gordon, and now me, as chancellor – with troops deployed in the field, if the officers come to us and they say that they need more equipment, as they have done in relation to the armoured vehicles in Afghanistan yesterday, we will provide the money, we will provide the resources."
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Traditional Oriental and Persian Area Rugs
[Marketing] (Latest Articles)A rug is a carpet made of a hairy material and decorated suitably, it helps to improve the appearance of the room or for home decor. The design and the color combination make the rug more artistic. The skill of weaving carpet survived in Iran in olden times. The proof on the existence of the Persian rugs came for china. This rug has considered as the oldest rug in the world. It central field was deep red color and had two wide borders one portrayed in deer and the other Persian horseman. It is s ...
A rug is a carpet made of a hairy material and decorated suitably, it helps to improve the appearance of the room or for home decor. The design and the color combination make the rug more artistic. The skill of weaving carpet survived in Iran in olden times. The proof on the existence of the Persian rugs came for china. This rug has considered as the oldest rug in the world. It central field was deep red color and had two wide borders one portrayed in deer and the other Persian horseman. It is still a secret when the first oriental rugs had woven. In 1949, in southern Siberia a royal burial was found that contained incredible sealed carpets known as Pazyryk carpet, Oriental rugs are divided into particular groups based on the countries where they were produced. like groups are Persian rugs, Chinese rugs etc.
By 60's Persian rugs of wool or silk were well-known throughout the Middle East. Carpet-weaving areas can be separated into floral designs and geometric shapes and patterns. Floral patterns lead in Persia and India. When less floral pattern is used to design rugs, it is more likely to be stylish. Manufacture (traditional): The silky and flexible wool of sheep is mostly used to make oriental rugs. Wool was supplied by the number of flocks, mostly tended by roving shepherds. The nomadic peoples use to shear the animals at the end of spring. The process is as follow, first the animals are washed, then the wool is being shear from the animals and sent for the second wash, then it is compressed underfoot and dried in open air. Ones it is dried the weaver holds the wool under arm, the spinners twist the threads and drape around the rod.
Weaving and knotting: The basic looms have been used to produce oriental rugs. These looms can be horizontal or vertical. Vertical loom is divided in to village looms tabriz loom and the loom with roller. So, the warp threads can be inverted after each shoot of the weft. Soumark: These are carpets without pile produce by flat weave technique of wrapped weft threads, this technique is use all over the Middle East. Geometric elements are used to decorate these soumarks. Flat weave: The base of the rug is of two sets of threads, fixed warp thread runs from north to south and weft threads are woven from east to west and is separated by the row of knots. Each knot is tied by hands.
Design and Pattern: Carpet-weaving areas can be separated into floral designs and geometric shapes and patterns. Floral patterns lead in Persia and India. When less floral pattern is used to design rugs, it is more likely to be stylish. Quality: These rugs are of finest quality and long-lasting if maintained properly. The finest quality of wool comes from region of Kurdistan. Tufting techniques: In this method, support cloth provides a strong foundation from which thread is stitched, and then cut. The product is a 'tuft' rugs. This technique of rugs construction utilizes single-colored thread, which is then dyed and printed with patterns of different kind. The effect can as cut pile that is attractive and reasonable.
Some tips to keep rugs clean and beautiful for long duration. If rug has any stain on it, one must not wait till it dry n get harder. Dilute little soap in water and clean the rug with white paper towel. Avoid the access heat. And allow it to dry if wet before using it. Rotate the rugs occasionally to remove the dust which is been settled inside. Keep the oriental rugs outside the house in dry day for few hours to prevent it from odor. To make the rug softer and fluffier spray little water and brush it with a soft brush from the center of the rug to the edges and shake it by each corner. -
The big gender gap on the small screen: men outnumber women on TV two-to-one
[Guardian] (Life and style: Women | guardian.co.uk)Study finds that females who do appear on television are often in soaps or on news to discuss 'softer' topicsAlthough there are more females, by a head or two in every 100, than there are males in the British population, on television women are still a distinct minority. Only one woman appears on the small screen for every two men, according to a comprehensive study unveiled tomorrow.The new research, commissioned by Channel 4 to mark International Women's Day, will also reveal that younger wome ...
Study finds that females who do appear on television are often in soaps or on news to discuss 'softer' topics
Although there are more females, by a head or two in every 100, than there are males in the British population, on television women are still a distinct minority. Only one woman appears on the small screen for every two men, according to a comprehensive study unveiled tomorrow.
The new research, commissioned by Channel 4 to mark International Women's Day, will also reveal that younger women are heavily over- represented by the broadcasting industry. Only four in every 10 women on screen are aged over 40. In contrast, however, for every 10 men featured on television, six are aged 40 or older.
By studying a sample period of 386 hours of peak viewing across BBC1, BBC2, ITV1, Channel 4, Five and Sky1, the analysis has uncovered that men now take up 65% of all possible broadcast roles. Although women were found to be well-represented in the soaps – where almost half of all the roles are for women – in light entertainment, comedy and drama they make up just four in every 10 participants. In the field of serious broadcasting, the research shows that women make up only one-third of participants in factual programming and even less in news, with only a 31% share of the limelight. When women do feature in news programmes, 69% of the time it's to discuss "softer" news topics, such as health, culture or cookery.
"This pilot research measures the gap between what we see in the real world, and what we see on TV, and is the first step in developing a comprehensive measurement of how well TV represents and portrays different groups on screen," said the former Labour MP, Oona King, Channel 4's head of diversity.
"Fundamentally, this is about how we view our world and which groups are hidden from view or significantly under-represented. The gender gap here is quite startling."
One of the clearest problems to emerge from this work carried out by the Communications Research Group under Dr Guy Cumberbatch was that, although women do hold down a fair share of major acting or presenting roles on television, they are markedly under-used in supporting roles.
To order to arrive at their findings, Cumberbatch and his team coded hours of programming, noting down all contributors, however major or minor, and then counting their appearances on screen. They found that women appear fairly infrequently as minor presenters, taking up only 31% of the possible work, and are only used as major contributors on factually based programmes in 34% of occasions. When it comes to general vox pops, women are canvassed for their opinion only a third as frequently as men.
The study also looked at the difference between the kind of news that is covered, "hard" or "soft", according to the genders used on screen. Men were much more likely to discuss harder items, such as politics, international affairs, science and the economy, while women were more likely to be asked to give their views on education, environment, cooking, health and culture.
Fictional programming, however, told a broadly different story with a higher representation of women, standing at 47%. Almost half of all the major roles in this category of broadcasting were taken by females.
In the light of this the research team were surprised to find that there was a much lower rate of women appearing in incidental roles, at 36%. The report for Channel 4 suggests that this "anomaly" could perhaps be most easily remedied.
The analysis comes to light as Sky News commits itself to a day of "women only" programming tomorrow. All strands of the broadcaster's programming, including bulletins, business, sport, and weather, will be presented by women. Their producers will also be women, as will the duty editors of Sky news radio and Sky news online. "There are already a lot of women on screen at Sky news – four of our five main strands include female presenters. Behind the cameras, we have a number of women on the team, but there's still some work to do," Kate McAndrew, executive producer at Sky news, told the Observer.
The research also follows speculation about the departure of long-standing GMTV news presenter Penny Smith last week. Smith, who has done the job for 17 years, said: "It's an ideal time for me to say goodbye to early mornings. Now that the format has changed, I have taken the plunge and am moving on."
The ITV morning show's website has been bombarded with complaints from Smith's fans this weekend, many of whom suspect she was forced out because she was now deemed to be too old.
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Join Jeremy Piven’s “Video Volunteers” Entourage for Global Development
[YouTube, Video] (YouTube Blog)Jeremy Piven is best known as the sharp-tongued Ari Gold on HBO’s Entourage, but today he’s taking a break from berating Vince and the boys to give the YouTube community a glimpse of his softer side by signing on as a Video Volunteers curator. This month, YouTube, Piven and the ONE Campaign are asking you to make videos supporting a nonprofit working on an issue related to global development, such as extreme poverty, access to clean water and sanitation, and preventing disease. With Intern ...
Jeremy Piven is best known as the sharp-tongued Ari Gold on HBO’s Entourage, but today he’s taking a break from berating Vince and the boys to give the YouTube community a glimpse of his softer side by signing on as a Video Volunteers curator.
This month, YouTube, Piven and the ONE Campaign are asking you to make videos supporting a nonprofit working on an issue related to global development, such as extreme poverty, access to clean water and sanitation, and preventing disease. With International Women’s Day on March 8 and World Water Day on March 22, it’s an ideal time to tackle some of the problems crippling citizens in developing nations. Piven agrees:
Once you’ve created a video for a nonprofit of your choice dealing with global development, submit it to the gadget at www.youtube.com/videovolunteers. Remember: the video has to be about an organization, not just an issue. Piven and the ONE Campaign will pick their top three videos to go on the YouTube homepage at the end of the month.
Happy filming!
Ramya Raghavan, Nonprofits & Activism Manager, recently watched “Spread the Word to End the Word.” -
The return of full makeup
[Guardian] (Life and style | guardian.co.uk)Forget the natural look. Fully made-up faces are all the rage. It may take patience and planning, says Hilary Mantel – but it's worth itIt's no longer news that false eyelashes are back, for the street and not just for the catwalk. You can have almost any shade you like – a flitter of plum, a waft of steel-blue. But if you haven't patience for the application, you can fake it; rather than advertising a natural look, new mascaras aim to make your own lashes look artificially extended. In fac ...
Forget the natural look. Fully made-up faces are all the rage. It may take patience and planning, says Hilary Mantel – but it's worth it
It's no longer news that false eyelashes are back, for the street and not just for the catwalk. You can have almost any shade you like – a flitter of plum, a waft of steel-blue. But if you haven't patience for the application, you can fake it; rather than advertising a natural look, new mascaras aim to make your own lashes look artificially extended. In fact, makeup this season is all about creating a finished look. It requires work and dedication, but with an icy winter behind us, and who knows what for spring, we are all feeling delicate, in need of the contrivances of civilisation, of art and not nature.
There is something smug about women who insist they go for the natural look – and something deeply annoying about men who say they like women without makeup: are they sure they have ever seen one? The "bare" face is far from effort-free, except for the very young who have no problems with uneven skin tone. Forty may be the new 30, and 60 the new 40, but the honest woman admits to what sunshine and lifestyle have done, and reaches for a little help.
The old axiom was that you privileged either eyes or lips, not both – a mean suggestion, on the lines of "have fun, but not too much". The full-face need not mean jammy overstatement in the old Hollywood mode. It can be refined and subtle; but defined lips need defined eyes – otherwise it looks as if you have been interrupted half way through re-making yourself, tumbled out into the early morning by a fire alarm.
This year, fully made-up faces are all around us, in fact and fiction. Joan from Mad Men reigns supreme with impeccably coloured lips and a heavy swoop of eyeliner. Cheryl Cole – is she fact or media fiction? – pays equal attention to strong eyes, strong lips, strong cheeks. Michelle Obama similarly tends to all three; serious women know that bright features add to the gaiety of nations and impart monumental confidence. On the spring/summer 2010 catwalks, swooping brows, curling across the forehead, soared over an exaggerated up-flick; they suggested irresistibly something carved and triumphalist, a ship's figurehead.
So which of these latest looks are wearable? Orange lips (as seen at Prada's spring/summer show) are possibly less dismaying if you call the shade mandarin or tangerine. At Givenchy, models had full-on scarlet mouths; there, and at Christian Dior, there were deep, smoky eyes to go with those bold lips.
Too much trouble? Last month a Grazia survey of 100 "people" – presumably women, but maybe not – found that 9% would need to be paid £1,000 to leave home without makeup, while 3% would demand £1m to confront the elements bare-faced. Sixty-one per cent would do it for nothing, and that explains one of life's great mysteries: where does it go, all the makeup sold over the counters? For every face that skims by with glowing features enhanced, there are two that are carried down the street like moons on sticks. But it enhances the joy of life, when the economic winds blow cold and the sun seems far away, to amuse oneself with colour, to invent what morose Mother Nature didn't provide, whether it's full lips or lush lashes or just the glow that shouts success.
There are few failures so bleak that they cannot be brightened by Touche Eclat, or Dior Skinflash, or some other witchcraft in a stick. First, you paint the face of the woman you would like to be, then you stare at it in the mirror, then you go out and imitate her till the job's done. "War paint" is what men used to call it, and so it is, but the war's not between the sexes; it's fought against adverse circumstances, against limitations, against nature and her stingy hand. It's better futures we make up, not just better faces.
There's a humble artisan pleasure in creating the full face. It's like any kind of painting; you have to prepare the surface (sand it down, maybe, with an exfoliator), you have to prime it before the colour will stay put, find the undercoat to go beneath the base. The search for the perfect base is as constant in my own life as the search for the perfect sentence: the lightest colour (so the joins don't show); matte, but not dead; never shiny because I dread shine; a base that gives kindly coverage, but can't be felt. It's amazing how creepily sensitive facial skin becomes, so even a mask of silk is still a mask.
Usually, as soon as I've tracked down a colour, weight and texture I like, the manufacturer withdraws it; but in any event, my hobby is to stand in department stores striping myself with anything that looks hopeful, and to accumulate boxes full of back-ups and alternatives, because no one product will cope with all seasons, all lighting, and all the perverse things skin can do in different conditions. Air travel, for instance, is wretchedly drying, and when women rule the world, aircraft will be misted with Evian, as in the tropics they're pumped full of bug-spray. Still, I must be doing something right: I'm often greeted by "You look well!" rather than "Not dead yet?" That is an achievement in itself for the paper-white. For decades my skin had no real problem except pallor, but I thought it must have flaws invisible to my eye. Now that colour is provided by pin-pricks of broken veins I have proper grounds for humility.
There are two ways to go – self-effacement, or self-assertion. A smooth, primed base is effacement enough. The finished face is not an exercise in vanity, more an exercise in patience and pre-planning. The search for a second skin is, in fact, pure pleasure, a natural urge to prepare a surface and then paint it, to play with shadow and light; it's harmless till scalpels and needles get in there.
When I was 16 I would never have dreamed of leaving the house at weekends without three colours of eyeshadow and two coats of mascara. Lipstick, though, seemed too much a siren signal, and I kept it pale. In my 20s I learned how to paint on a scarlet mouth, but now I'm at rethink age, returned to self-consciousness, exploring how to look defined without looking like a caricature of my younger self. The full face is perhaps no longer a good idea in practice, but it's wonderful in principle. The art of full makeup was called "making the best of yourself" till a flat-footed and scowling version of feminism called it making a whore of yourself. It's best, perhaps, to think of it as folk-art: just more excitingly susceptible to seasonal trends.
The new take on smokey eyes means navy, or an overlay of purple – this is an amazingly kindly shade, and makes common old blue eyes take on a fascinating hint of green. If you must indulge in the punkish perversity of pink eyeshadow, the intervention of heavy black liner will stop you looking like a rabbit; but why would you persist with pink, when there's peach?
Red lipstick becomes possible when it's mellowed by golden peach and desert apricot shades, lion colours to warm both eyes and cheeks. But this season a clear, defined mouth doesn't have to be red; coral is everywhere in the new palettes, is easy to carry off, and perfect to wear with moth-wing neutrals or the nude/blush shades seen in chiffon and fluid silks. Softer shades for eyes and lips have a metallic glint – creamy beiges shot through with gold, khaki with a sparkle. Lucky dark girls can wear lilac lips. Even the minimalists will smudge in some navy kohl with a careless finger. Those willing to admit to effort will sail into summer with features inked in: turquoise, violet or storm-blue, sepia smiles.
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Dear Slice: 'Visiting NYC Again; Where Should I Go for Pizza This Time?'
[Pizza, Food] (Slice)Reaching in to the Slice mailbag, we've got an email from Lance Roberts, who, as you may remember, wrote to Slice in June 2008 asking for an NYC pizza itinerary for an upcoming trip to the city—and who then wrote a great follow-up post for Slice in which he detailed his trip (oh, and there was also his Pizzeria Bianco post). Anyway, looks like he's visiting again and wants more pizza-eating suggestions. I'll answer, and you pizzaheads should also chime in. —The Mgmt. Sausage Pizza, ...
Reaching in to the Slice mailbag, we've got an email from Lance Roberts, who, as you may remember, wrote to Slice in June 2008 asking for an NYC pizza itinerary for an upcoming trip to the city—and who then wrote a great follow-up post for Slice in which he detailed his trip (oh, and there was also his Pizzeria Bianco post). Anyway, looks like he's visiting again and wants more pizza-eating suggestions. I'll answer, and you pizzaheads should also chime in. —The Mgmt.
ausage Pizza, Veloce Pizzeria, NYC" />Sausage Pizza, Veloce Pizzeria, NYC" src="http://slice.seriouseats.com/assets_c/2009/12/20091224-veloce-thumb-500x333-66208.jpg" width="500" height="333" />
A slice of Veloce's sausage pizza, which Slice recommends, after the jump. [Photograph: Adam Kuban]
Great, great work on the Bianco coverage and the pizza tournament. That list is phenomenal.
I'm coming back to NYC for a wedding in June (and maybe a Pavement show in September) and that means I get to do another pizza tour. As you know, your recs were amazing, so I wanted to go back to the authority. Would you mind giving me a couple more recs?
Last time I did Patsy's, Lucali, Franny's, Artichoke, John's (not your rec), Totonno's, and Di Fara. I'm gonna do Di Fara again because it's the LAW, and I obviously have to try Motorino, but everything else is fair game. Co./Company? Kesté? Should I go back to Lucali or one of the others because they're the best and I should stick to the best? You tell me. I hit seven last time, I figure I can get five in this time.
No rush on this. Keep on rockin' the pizza world.
—Lance
------------------------------------------------------------
Dear Lance,Glad to hear you're coming back this way. Which night of Pavement are you going to? I believe I've got tickets to the Friday night show. Or maybe the Saturday one. If the stars align, we should meet up before the show and grab some slices.
Anyway, there have been a lot of great new places opened since you were last here, but you pretty much mention them all here. I'll chime in here to affirm your choices and give you a couple other recs. Of course, I'm sure I'll miss some stuff, since my laptop is running out of battery and I'm going to have to do this fast with remaining juice.
Plus, pizza is so subjective and the pizzafreak community so large — so please, Slice'rs, feel free to add your bits of wisdom to help guide Lance to pizza awesomeness....
Motorino (East Village, Manhattan or Williamsburg Brooklyn)
The most-used photo in all of Slice history? Perhaps. [Photograph: Robyn Lee]
Yes, Motorino is a must. Neapolitan-style. A little crisper than some Neapolitans. Either one — Brooklyn or Manhattan — is fine, though I think the crusts are perhaps marginally better at the Manhattan one. Then again, the Brooklyn one is roomier and more relaxed. I guess it depends on where you're staying and how close you are to either one. That said, if you end up using the L train to get there, you can just stay on it a few more stops and go into Brooklyn and do the Williamsburg location. I haven't been since the New York Times reviewed it, but I've really enjoyed lunches at the Brooklyn one, since almost nobody is there — especially around 1:30 p.m. or so. And the lunch deal is killer. I believe it's around $10 for a salad or soup and a pizza.
If you've been reading Slice even with one eye open, you can't have missed all the Motorino blabberage we've done here. So you probably know about the awesome brussels sprouts–pancetta pizza. That's seasonal, so I don't know if it'll be on offer when you hit town. Then again, there's such a lovefest for it that I wouldn't be surprised if they figured out a way to do it year-round. The cremini–spicy sausage pizza is good, too. As is the hot soppressata-garlic pie. And if you're going vegetarian, you can't go wrong with a Margherita there.
Kesté (Greenwich Village, Manhattan)
A Kesté Margherita, fresh, hot, and pipin' steamin' from the oven. [Photograph: Adam Kuban]
Yes. Hit Kesté, too. It's also Neapolitan. This one has a little softer, wetter consistency to it. I haven't been as often as I've been to Motorino, but I do like the Kesté pies. As you may know, I have not been to the Naples (yet), but all the veteran Naples travelers and/or Naples natives hold up Kesté as one of the closest-to-Italian pizzas in the city. Note that it gets crowded fast—and if you don't like noise, it's crazy loud in there. Lunchtime might be a good time to try it out. Try the pizza pinwheel things they have as an appetizer. And tell 'em Slice sent ya!
Co. Company (Chelsea, Manhattan)
Co. Company's "Boscaiolo" (Hunter) pie. Sausage, mushroom, onion. [Photograph: Adam Kuban]
Tough to say. When Jim Lahey is there, you can get a good pizza. When he's not, it can be a bit inconsistent. I'm not sure how adventurous/hardline purist you are, but Lahey seems to be really into pizzas with béchamel sauces. I avoid those. They're often too heavy. I'm sort of a Midwest lunkhead, so I'm all sorts of into the Boscaiolo (hunter pie). Sausage, mushrooms, and onion. I also like the ham and cheese pizza—baked with fontina and then topped with prosciutto immediately after it comes out of the oven. There's just a hint of caraway in the crust, too. Lahey is also nuts about chiles, so a lot of the pizzas have a mild spiciness to them, which is good or bad, depending on your affinity for the heat. I happen to like it.
Fornino (Williamsburg, Brooklyn)
Fornino is a pizza that I think is underrated in a way. It's like the guy who runs it, Michael Ayoub, was just slightly ahead of his time. He opened it well ahead of the WFO trend, was doing the house-made mozzarella thing way before all these other pizzerias started stressing this as a perk, and he's been growing herbs and such in a little on-premises greenhouse from the beginning — predating the Roberta's people by a good number of years. But none of that stuff was "trendy" when he did it, so it's like he didn't become "known" for it the way some of these other places did. Still, the place is all kinds of busy and for a good reason. This is one of my favorite pizzas in the city. In a way, it's kind of nice that there's not a ton of FORNINO HYPE, because it still has a nice neighborhood this is my place kinda feel to it. There are three "generations" of pizza styles on the menu. You'll find something you like. The soppressata pie is a favorite of mine—and Ayoub's sort of the guy who kicked off this trend, too.
Pizzeria Veloce (East Village, Manhattan)
ausage Pizza, Veloce Pizzeria, NYC" />Sausage Pizza, Veloce Pizzeria, NYC" src="http://slice.seriouseats.com/assets_c/2009/12/20091224-veloce-thumb-500x333-66208.jpg" width="500" height="333" />
A slice of Veloce's sausage pizza. [Photograph: Adam Kuban]
Not sure where you stand on square pies, but I really like the thinner-crust Sicilian pizzas at Pizzeria Veloce. Are you going to be visiting with someone or meeting up with friends? Because here's the deal: This pizza is really good RIGHT OUT OF THE OVEN. Crisp and just-right greasy. After it cools off, though (after about 7 minutes), it becomes a completely different animal — soggy soggy. So if you can grab one or two or three other people to help you house a pie as it's oven fresh, you're good. Then simply order a second or third one if you're hungry. It's a thinner crust for Sicilian, but even a couple pieces might fill you up. Especially if you're hitting more than one pizzeria in a day.
Here again, my sausage bias rears its head. I really like the sausage here, and it's one of the more interesting blends I've had in a while. The chef associated with the place, Sara Jenkins, knows her way around a pig and has come up with a really subtle yet complex flavoring for the sausage here.
Toby's Public House (South Park Slope, Brooklyn)
Toby's black garlic, pancetta, mushroom pie. The black garlic is killer. [Photograph: Adam Kuban]
If you do bother to make it to Brooklyn, I'd try Toby's Public House this time. There's a really good black garlic, mushroom, and pancetta pizza on the menu. Toby's has a really good pizza, but I don't know if it's go-way-out-of-your-way worthy. Then again, the black garlic is something you don't see on a pizza every day.
I could do more, and I just realized I haven't added addresses yet, but my laptop is running out of juice and I forgot my plug. I'll have to come back and add them later.
Hope that helps, Lance! And, seriously, lemme know if you come out for Pavement. Would be fun to grab a slice and see the show.
Hasta la pizza,
Adam -
Microsoft Knocks Chamber's Climate Stance
[Green, Health] (Blogs | Mother Jones)The Chamber of Commerce has yet another critic, and this time it's a big one: Technology giant Microsoft, which on Tuesday distanced itself from the business lobby's position on climate change policy. "The U.S. Chamber of Commerce has never spoken for nor done work on behalf of Microsoft regarding climate change legislation, and we have not participated in the Chamber’s climate initiatives," Rob Bernard, chief environmental strategist at the company, wrote on its blog. "Micr ...
The Chamber of Commerce has yet another critic, and this time it's a big one: Technology giant Microsoft, which on Tuesday distanced itself from the business lobby's position on climate change policy.
"The U.S. Chamber of Commerce has never spoken for nor done work on behalf of Microsoft regarding climate change legislation, and we have not participated in the Chamber’s climate initiatives," Rob Bernard, chief environmental strategist at the company, wrote on its blog.
"Microsoft has stated that climate change is a serious issue that demands immediate, worldwide attention and we are acting accordingly," he continued. "We are pursuing strategies and taking actions that are consistent with a strong commitment to reducing our own impact as well as the impact of our products. In addition, we have adopted a broad policy statement on climate change that expresses support for government action to create market-based mechanisms to address climate change." Part of the company's role in addressing climate, he wrote, is providing "expertise on the role software and technology can play in reducing carbon emissions."
Microsoft has been increasingly vocal on climate issues lately. Chairman Bill Gates gave a speech last month calling for the world to reduce greenhouse gas emissions to zero by 2050 to avert the impacts of climate change.
While the Chamber of Commerce has attempted to take on a softer tone on climate legislation recently, they've opposed all bills so far aimed at addressing the problem of global warming. Last month, they sued the Environmental Protection Agency in an attempt to block its finding that climate change is a threat to human health.
Microsoft joins a number of businesses that have voiced disapproval of the Chamber's rigid position on climate issues. There was a round of defections from the Chamber over its climate stance last fall, with Midwestern utility Exelon Corp., the New Mexico utility holding company PNM Resources, Northern California utility Pacific Gas and Electric, Mohawk Fine Paper all dropping out over a span of several weeks. Nike also resigned from the Chamber's board. Meanwhile, environmental groups have been working to get more green-leaning businesses to distance themselves from the business lobby.
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